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Premodern Masculinities in Transition
Sheds new light on how masculinity was understood, lived, performed and viewed during a period of huge change. Premodern masculinity was multivalent and dynamic, a series of intersecting, conflicting, and mutating identities that nevertheless were distinct and recognizable to people and their societies. The articles collected here examine a variety of means by which masculinity was constructed, deconstructed, and transformed across time, geographies, and cultures. Articles range across the twelfth to seventeenth century, from western Europe to the Volga-Ural region, from the Christian west to the Muslim east, from Ottomans to Mongols and Persians, from Baudri of Bourgueil to Blaise de Monluc; while topics include the chivalric hero, the effeminate man, beards, and spurs, represented variously in literature, historical documents, and art. Finally, in that period of great transformation that is the sixteenth century, they show how masculinity moved away from the traditional and recognizable to become something different and distinct from its premodern expressions.
Moral Combat
Moral Combat explores dozens of primary texts to ask why women's militarism became one of the central discourses of sixteenth-century Italy.
Seeking Real Truths
This volume is a multidisciplinary approach to Machiavelli's writings on government, his creative works and his legacy. It is meant for generalists seeking an introduction to Machiavelli and for specialists who are interested in a wide range of disciplinary views.
Court and Its Critics
The Court and Its Critics focuses on the disillusionment with courtliness, the derision of those who live at court, and the open hostility toward the court, themes common to Renaissance culture.
Lelia's Kiss
In Lelia's Kiss, Laura Giannetti offers a new perspective on the way gender and marriage were portrayed, imagined, and critiqued on stage during the Italian Renaissance. Going beyond the traditional canon, Giannetti focuses her study on the social and cultural scripts found in a wide array of comedies of the period to reveal the relativity of sex and gender roles and their cultural construction in Renaissance society. Giannetti argues that the comedic dialogue and cross-dressing characters so prevalent in Italian Renaissance comedies played with the presuppositions of the day and engaged with contemporary social norms, expectations, and desires. Cross-dressing female characters reveal the re...
Masculinities, Violence, Childhood
This interdisciplinary volume includes essays and workshop summaries for the 2006 Attending to Early Modern Women_and Men symposium. Essays and workshop summaries are divided into four sections, 'Masculinities,' 'Violence,' 'Childhood,' and 'Pedagogies'. Taken together, they considers women's works, lives, and culture across geographical regions, primarily in England, France, Germany, Italy, the Low Countries, the Caribbean , and the Islamic world and explore the shift in scholarly understanding of women's lives and works when they are placed alongside nuanced considerations of men's lives and works.
Moral Combat
Moral Combat explores dozens of primary texts to ask why women's militarism became one of the central discourses of sixteenth-century Italy.
Masculinities, Childhood, Violence
This interdisciplinary volume includes essays and workshop summaries for the 2006 Attending to Early Modern Women—and Men symposium. Essays and workshop summaries are divided into four sections, "Masculinities," "Violence," "Childhood," and "Pedagogies". Taken together, they considers women's works, lives, and culture across geographical regions, primarily in England, France, Germany, Italy, the Low Countries, the Caribbean , and the Islamic world and explore the shift in scholarly understanding ofwomen's lives and works when they are placed alongside nuanced considerations of men's lives and works.
Dramatic Experience
In Dramatic Experience: The Poetics of Drama and the Early Modern Public Sphere(s) Katja Gvozdeva, Tatiana Korneeva, and Kirill Ospovat (eds.) focus on a fundamental question that transcends the disciplinary boundaries of theatre studies: how and to what extent did the convergence of dramatic theory, theatrical practice, and various modes of audience experience — among both theatregoers and readers of drama — contribute, during the sixteenth to eighteenth centuries, to the emergence of symbolic, social, and cultural space(s) we call ‘public sphere(s)’? Developing a post-Habermasian understanding of the public sphere, the articles in this collection demonstrate that related, if diverging, conceptions of the ‘public’ existed in a variety of forms, locations, and cultures across early modern Europe — and in Asia.
