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Under the Volcano. Warburg’s Legacy
Under the Volcano. Warburg’s Legacy, explores the enduring influence of Aby Warburg’s ideas, likening his intellectual legacy to volcanic activity–continually shaping the landscape of cultural history. If Warburg “was a volcano”, this issue is structured around the metaphorical fissures and lava flows, and is divided into four sections: Unpublished, Rediscovery, Readings, Presentation.
Archaeology & Pilgrimage
Engramma 204 collects researches and findings of several Italian and European scholars who have dealt with aspects related to ancient, Medieval and Modern pilgrimage along the main three European Routes (Via Romea Francigena, Via Romea Strata, Via Romea Germanica), or along other routes to the Holy Land. The issue is divided into three sections. The first one is dedicated to the European project rurAllure by Martín López Nores, José Juan Pazos Arias, Susana Reboreda Morillo, Óscar Penín Romero, which focuses on the enhancement of minor sites along the pilgrimage routes of Europe, and it is accompanied by an overview on the development of promotional activities for some Italian cases sup...
191 | Aby Warburg: His Aims and Methods
In this issue of Engramma: Giulia Zanon’s Zooming Mnemosyne deals with the use of details in Warburg’s Bilderatlas, Monica Centanni’s Collateral effects of the “visibile parlare” (Dante, Pg. X, v. 95) reconstructs the hypothesis of a visual model for the legend of Trajan’s Justice, according to Warburg intuition about it; this contribution is connected of the paper by Filippo Perfetti’s Dante, Botticelli, and Trajan. An Open Note where the author investigates how Botticelli could have come to know that the bas-relief of the Arch of Constantine liberatori urbis was related to an episode in Trajan's life”. The focus of this issue is then extended to Warburg's cultural environme...
e176 | After Warburg
Editoriale a cura di Maurizio Ghelardi e Daniela Sacco. Maurizio Ghelardi, Edgar Wind, Percy Schramm e il Warburg-Kreis. Sui concetti di Nachleben, renovatio, correctio. Ianick Takaes, The Demented, the Demonic, and the Drunkard. Edgar Wind’s Anarchic Art Theory. Adrian Rifkin, Mnemosyne, Itself. Elizabeth Sears, Warburg and Steinmann as Forschertypen. Lucrezia Not, La complessa vicenda editoriale di Saturno e la melanconia. Quattro lettere inedite del carteggio Einaudi-Warburg Institute. Lucas Burkart, “Le fantasticherie di alcuni confratelli amanti dell’arte...”. Sulla situazione della Biblioteca Warburg per la Scienza della Cultura tra il 1929 e il 1933, traduzione di Costanza Giannaccini. Roberto Ohrt e Axel Heil, Sul Nachleben di Mnemosyne.Bilderatlas Mnemosyne-The Original. Eine Konflikt Geschichte. Interview with Roberto Ohrt, on the exhibition in Berlin. Interview by Bianca Maria Fasiolo Neville Rowley, Atlas redux.
e179 | Borders Cuts Images
Borders Cuts Images. History and Theory. Editorial, edited by Linda Bertelli and Maria Luisa Catoni Maria Luisa Catoni, Cut as a device. An example from Classical Antiquity. Camilla Pietrabissa, Cutting down the interpretation of drawings. The case of Watteau. Maja-Lisa Müller, Framing representation. The hybrid zones of intarsia. Costanza Caraffa, The photographic cut and cutting practices in photographic archives. Sara Romani, From cuts to clues, hidden narratives within the details of Carl Durheim’s photographic portraits (1840-1860). Laura Di Fede, A look from outside. Foreign photographers in Palermo between the 19th and 20th centuries. Agnese Ghezzi, Framing the ‘delegated gaze’...
e186 | Per insufficienza di prove. Arte, storia, metodi
In the presentation of this issue of “La Rivista di Engramma”, we introduce the theme of Evidence in art history scholarship, in close relation to its different methodologies (iconography, stylistic and functional analysis, and more). In the first section it will be possible to read two interviews on this subject, with two experts in different fields: Peppe Nanni, lawyer and law scholar, and Umberto Santino, a sociologist who, in specific, studies mafia issues (Le prove degli altri. A dialogo con Peppe Nanni e Umberto Santino, ed. by Maria Bergamo, Giacomo Confortin e Fabrizio Lollini). In the second section, we present the contribution of the scholars who have undertaken to provide – ...
e168 | Connessioni
Editoriale Maria Bergamo, Fabrizio Lollini Il coniglio “festaiuolo” Fabrizio Lollini The Weeping Rock Barbara Baert L’oro di Tarkovskij Giacomo Confortin Tre bocche Luca Capriotti Queering the Body, Birthing the Nation, Gendering God Maurizia Paolucci Icone. Pensare per immagini Massimo Cacciari Pop-App. Libri animati dalla carta alle app Elisa Bastianello Arte e Biennale in tempi interessanti Marianna Gelussi Monumenta marciani Maria Bergamo
e171 | Aby Warburg, inediti e saggi critici
Editoriale. Omaggio a Martin Warnkea cura di Monica Centanni, Anna Fressola, Maurizio Ghelardi Martin Warnke, Aby Warburg als Wissenshaftspolitiker (con traduzione italiana del Seminario Mnemosyne) Michael Diers, Martin Warnke (1937-2019). Vita dopo la vita in un ritratto per immagini Aby Warburg, Il metodo della scienza della cultura [1927], edizione tedesca di Maurizio Ghelardi, traduzione italiana del Seminario Mnemosyne Edgar Wind, Recensione a Ernst H. Gombrich, Aby Warburg. An intellectual Biography [1971], traduzione italiana di Monica Centanni e Anna Fressola Ianick Takaes de Oliveira, “Il y a un sort de revenant”. A Letter-Draft from Edgar Wind to Jean Seznec [1954] Monica Centa...
Filologia delle immagini
Engrammano. 195, “Filologia delle immagini”, edited by Maddalena Bassani, Concetta Cataldo, and Roberto Indovina, is a reflection on the iconography of myth and its re-elaboration on figured ceramics through the textual mediation of theatre. The essays here included explore the relationship between texts and images. The contributions byConcetta Cataldo,Antonio Maria DraiàandMiriam Sabatucciare linked to the theme of “Pots & Plays” and accordingly analyze the interactions between Greek theatrical texts and vase painting of the fifth and the fourth centuries BC.Mariagrazia Ciani presents a review of Francesca Ghedini’s volume dedicated to history through images in the ancient world. We also include an interview with the actresses of the 2022theatrical season and an update of thelist of classic dramas performed by the Istituto Nazionale del Dramma Antico(INDA – National Institute of Ancient Drama) from 1914 to 2022 in Syracuse. Finally, a presentation of the exhibition“Argilla. Storie di viaggi. Un itinerario scientifico e didattico fra mari e millenni”, in Vicenza.
A Companion to Warburgian Studies
This issue of Engramma is intended as an update of the overview of studies dedicated to Warburg in the world: an important work of reconnaissance inaugurated with Engramma 165, Warburgian Studies. The issue brings together contributions from different scholars, sharing a common vision of Warburg and his thought. A Companion to Warburgian Studies is divided into three parts: I. Essays; II. Overviews; III. Presentations and Reviews.
