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The Photography Encyclopedia
From the era of daguerreotype to digital imaging, this book provides a comprehensive overview of photography. It includes complete lists of Pulitzer Prize winners, archives and museums, photographic resources and major agencies.
Beat Generation
From clothing to music and literture, the Beat Generation has has an enormous impact on American culture. Fred McDarrah was on the scene--in small clubs, apartments, at parties, and in bookstores--documenting the young Beat poets and artists in this important social movement. Here he selects his best pictures, many never before reproduced, to provide readers with an authoritative and fascinating look at the Beat movement. 275 photos.
Anarchy, Protest & Rebellion
In a work of defiant ambition culled from over 5,000 photographs, Fred W. McDarrah’s Sixties presents America’s most tumultuous decade through the eyes of one man. As staff photographer for the leading counterculture weekly the Village Voice, McDarrah was everywhere—and he photographed everything and everybody. From the 1968 Democratic National Convention in Chicago to the Newark riots; from the Beatles’ first American press conference to Andy Warhol’s Factory; from Woodstock to the closing of the Fillmore East; from Broadway to Stonewall to Harlem to City Hall, Fred’s award-winning pictures capture the struggle and the promise of the sixties and define a generation. Many of thes...
Mania
Mania takes you into the world of the young rebels who transformed American culture in the 1950s-a world of sex, drugs, jazz, crime, insanity, and a defiant new literature. It tells the story of Lucien Carr's killing of David Kammerer, the car chase that led to Allen Ginsberg's committal to a mental asylum, William S. Burroughs' heroin addiction and deadly "William Tell act," Jack Kerouac's seven-year struggle to publish On The Road, and the creation of Ginsberg's ecstatic masterpiece "Howl," which the authorities declared obscene and fought fervently to suppress. It is a story too unbelievable to make up. Book jacket.
Altered Pasts
A bullet misses its target in Sarajevo, a would-be Austrian painter gets into the Viennese academy, Lord Halifax becomes British prime minister in 1940 instead of Churchill: seemingly minor twists of fate on which world-shaking events might have hinged. Alternative history has long been the stuff of parlor games, war-gaming, and science fiction, but over the past few decades it has become a popular stomping ground for serious historians. The historian Richard J. Evans now turns a critical, slightly jaundiced eye on a subject typically the purview of armchair historians. The book's main concern is examining the intellectual fallout from historical counterfactuals, which the author defines as ...
The Artist's World in Pictures
The photo clasic that documents the New York school action painters.
Global Politics as if People Mattered
What would international relations look like if our theories and analyses began with individuals, families, and communities instead of executives, nation-states, and militaries? After all, it is people who make up cities, states, and corporations, and it is their beliefs and behaviors that explain why some parts of the world seem so peaceful while others appear so violent, why some societies are so rich while others are so poor. Now in a fully updated and revised edition, this unique text on contemporary global politics begins with people, treating them as "social individuals" with free will and human agency even as they are limited and disciplined by rules and rulers. Offering a fresh appro...
The Beats
'[This] survey of the many little magazines carrying the Beat message is impressive in its coverage, drawing attention to the importance of their paratextual content in providing valuable socio-political context. [...] The collection contains a range of insightful close readings, astute contextualizing, and inventive lateral pedagogical thinking, charting the transformation of the Beat scene from its free-wheeling, self-help, heady revolutionary 1960’s days to its contemporary position as an increasingly respectable component of the curriculum. [...] The Beats: A Teaching Companion is successful on a number of levels; it is a noteworthy contribution to the ever expanding field of Beat studies and, more broadly, cultural studies; and it is a collection that at its best gives hope that in referring to its ideas the inspired teacher may still be able to enlarge the lives of their students.' John Shapcott, Keele University
A Violent Embrace
Instead of asking questions about the symbolic meaning or underlying "truth" of a work of art, renée c. hoogland is concerned with the actual "work" that it does in the world (whether intentionally or not). Why do we find ourselves in tears in front of an abstract painting? Why do some cartoons of the prophet Muhammad generate worldwide political outrage? What, in other words, is the compelling force of visual images, even—or especially—if they are nonfigurative, repulsive, or downright "ugly"? Rather than describing, analyzing, and interpreting artworks, hoogland approaches art as an event that obtains on the level of actualization, presenting "retellings" of specific artistic events in the light of recent interventions in aesthetic theory, and proposing to conceive of the aesthetic encounter as a potentially disruptive, if not violent, force field with material, political, and practical consequences.
The Beat Generation
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