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The New Granta Book of Travel
A collection of travel writing by some of the genre’s finest authors, from Paul Theroux to Sara Wheeler, voyaging from Mississippi to Malawi and Thailand. The New Granta Book of Travel Writing represents a sea change in writers’ approaches to the craft. The 1980s were the culmination of a golden age, when writers including Bruce Chatwin, James Hamilton-Paterson and James Fenton set out to document life in largely unfamiliar territory, bringing back tales of the beautiful, the extraordinary and the unexpected. By the mid 1990s, travel writing seemed to change, as a younger generation of writers appeared in the magazine, making journeys for more complex and often personal reasons. Decca Aitkenhead reported on sex tourism in Thailand, and Wendell Steavenson moved to Iraq as a foreign correspondent. What all these pieces have in common is a sense of engagement with the places they describe, and a belief that whether we are in Birmingham or Belarus, there is always something new to be discovered.
Granta 157: Should We Have Stayed at Home?
From Antarctica and the deserts of the US-Mexico border, to a Siberian whale-killing station and the alleyways of Taipei, these dispatches describe a world in perpetual motion (even when it is 'locked-down'). To travel, we are reminded, is to embrace the experience of being a stranger - to acknowledge that one person''s frontier is another's home. Granta 157 is guest-edited by award-winning travel writer William Atkins. It features: Jason Allen-Paisant remembers the trees of his childhood Jamaica from his home in Leeds Carlos Manuel lvarez navigates Cuba's customs system, translated by Frank Wynne Eliane Brum travels from her home in the Brazilian Amazon to Antarctica in the era of climate c...
Granta 135
Granta 135 is a snapshot of contemporary Ireland, which shows where one of the world's most distinguished and independent literary traditions is today. Here international stars rub shoulders with a new generation of talent from a country which keeps producing exceptional writers. This issue features Kevin Barry on Cork, 'as intimate and homicidal as a little Marseille'; Lucy Caldwell imagining forbidden first love in Belfast; an exclusive extract of Colm Tibn's next novel, about growing up in the shadow of a famous father; fiction from Emma Donoghue about Victorian Ireland's miraculous fasting girls; and Sara Baume describing the wild allure and threat of the rural landscape. Also featuring fiction from Colin Barrett, John Connell, Mary O'Donoghue, Roddy Doyle, Siobhn Mannion, Belinda McKeon, Sally Rooney, Donal Ryan and William Wall; poetry from Tara Bergin, Leontia Flynn and Stephen Sexton; photography by Doug DuBois, Stephen Dock and Birte Kaufmann; with original portraits of the authors in their environment by acclaimed street photographer Eamonn Doyle.
Granta 117
The Horror issue features original cover artwork by Jake and Dinos Chapman and a line-up of contributors that includes some of the greatest names in contemporary fiction. Stephen King tells the story of a retired judge with a deadly secret. Don DeLillo imagines a moviegoer-turned-stalker and Paul Auster writes of his mother's death. Rajesh Parameswaran dips into the mind of a tiger who escapes from a zoo and terrorizes a neighbourhood. Will Self writes of his blood disease and Daniel Alarcon explores the phenomenon of staged, high-camp blood baths. Mark Doty ruminates on a close encounter between Walt Whitman and Bram Stoker. CONTRIBUTORS: Daniel Alarcon, Paul Auster, Tom Bamforth, Roberto Bolano, Don DeLillo, Mark Doty, Sarah Hall, Stephen King, Kanitta Meechubot (artist), Julie Ostuka, D.A. Powell (poem), Rajesh Parameswaran, Santiago Roncagliolo, Will Self, Joy Williams.
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Granta 141
From Canada's global cities to its Arctic Circle - from the country's ongoing story of civil rights movements to languages under pressure - the writers in this issue upend the ways we imagine land, reconciliation, truth and belonging, revealing the histories of a nation's future. Margaret Atwood, Gary Barwin, Dionne Brand, Fanny Britt, Douglas Coupland, France Daigle, Alain Farah, Naomi Fontaine, Dominique Fortier, Krista Foss, Kim Fu, Rawi Hage, Anosh Irani, Falen Johnson, Benoit Jutras, Alex Leslie, Alexander MacLeod, Daphne Marlatt, Lisa Moore, Nadim Roberts, Armand Garnet Ruffo, Chlo Savoie-Bernard, Anakana Schofield, Paul Seesequasis, Johanna Skibsrud, Karen Solie, Souvankham Thammavong...
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Replace Me
In this wide-ranging and intellectually lively essay, Amber Husain asks if our obsession with replacement is the very thing that is keeping the world in stasis. And, if so, with what might we replace our obsession with replacement? With references spanning the avant-garde art tec--futurism, and Effective Altruism, and taking in writers from Aristotle to Anne Boyer, Replace Me is a celebration of the possibilities for political transformation inherent in the act of embracing one's own replaceability.
Granta 154
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One Day I Will Write About This Place
Binyavanga Wainaina tumbled through his middle-class Kenyan childhood out of kilter with the world around him.This world came to him as a chaos of loud and colourful sounds: the hair dryers at his mother's beauty parlour, black mamba bicycle bells, mechanics in Nairobi, the music of Michael Jackson - all punctuated by the infectious laughter of his brother and sister. He could fall in with their patterns, but it would take him a while to carve out his own. In this vivid and compelling debut, Wainaina takes us through his school days, his failed attempt to study in South Africa, a moving family reunion in Uganda, and his travels around Kenya.The landscape in front of him always claims his main attention, but he also evokes the shifting political scene that unsettles his views on family, tribe, and nationhood. Throughout, reading is his refuge and his solace. And when, in 2002, a writing prize comes through, the door is opened for him to pursue the career that perhaps had been beckoning all along. Resolutely avoiding stereotype and cliche, Wainaina paints every scene in One Day I Will Write About This Place with a highly distinctive and hugely memorable brush.
