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The Complete Works
Hadewijch, a Flemish Beguine of the 13th century, is undoubtedly the most important exponent of love mysticism and one of the loftiest figures in the western mystical tradition.
Poetry of Hadewijch
The Stanzaic Poems, written by Hadewijch of Antwerp in the 13th century, are a body of 45 lyrical poems in stanzas. They are daring God-talk in the guise of courtly love songs. Hadewijch uses the linguistic style of chivalry but her poems are by no means courtly poetry. She shifts the current meaning of chivalry by transferring its context to a field of meaning focused on God. Because of the view of Minne (=love) that is embodied in them, the Stanzaic Poems are an exponent of the age old tradition of women's songs - of which the Song of Songs is the best known example - and as such they are an expression of a particular manner of keeping company with God: they celebrate a relationship of mutuality between partners equivalent in love. An introductory essay highlights some of the striking points of lovers: the raging desire of 'orewoet': the gentility of humankind's origin. This essay is followed by a rendering of the Stanzaic Poems from Middle-Dutch into Modern English prose. With an introduction by Edward Schillebeeckx.
Promised Bodies
rossing linguistic and historical boundaries, Patricia Dailey connects the embodied poetics of Hadewijch of Brabant's visions, writings, and letters to the work of Julian of Norwich, Hildegard of Bingen, Marguerite of Oingt, and other mystics and visionaries.
The Longing in Between
A delightful collection of soul-inspiring poems from the world's great religious and spiritual traditions, accompanied by Ivan M. Granger's meditative thoughts and commentary. Rumi, Whitman, Issa, Teresa of Avila, Dickinson, Blake, Lalla, and many others. These are poems of seeking and awakening... and the longing in between. ------------ Praise for The Longing in Between "The Longing in Between is a work of sheer beauty. Many of the selected poems are not widely known, and Ivan M. Granger has done a great service, not only by bringing them to public attention, but by opening their deeper meaning with his own rare poetic and mystic sensibility." ROGER HOUSDEN author of the best-selling Ten P...
Meister Eckhart and the Beguine Mystics
The great German mystic Meister Eckhart remains one of the most fascinating figures in Western thought. Revived interest in Eckhart's mysticism has been matched, and even surpassed, by the study of the women mystics of the late13th century. This book argues that Eckhart's thought cannot be fully be understood until it is viewed against the background of the breakthroughs made by the women mystics who preceded him.
Saints in the Limelight
Table of contents
Late Medieval Mysticism of the Low Countries
"When one looks at an icon, one bas the sense that God is looking back. Our whole person is involved. What the prayers and music of the Feast convey through the ears, the icon conveys visually." This book showcases a collection of extraordinarily beautiful icons that introduces readers and art appreciators to the spiritual riches of the Byzantine liturgical tradition. The author, Father Michael Evdokimov, presents an icon for each of the twelve great feasts of the Orthodox Christian liturgical year. Preceding each icon is a brief commentary of what the reader can hope to find in the icon, including nuances that a casual observer might miss. Facing each icon are prayers appropriate for meditating on the icon. Quotations from spiritual writers of all ages of Christianity are interspersed in the book. In a simple, straightforward manner, Evdokimov shows how the prayers and the icons used to worship God can nourish the spiritual life. Although he sets before his readers beliefs and practices common to Orthodox people everywhere in the world, anyone who appreciates beautiful art will find much to savor here.
Hadewijch. the Complete Letters
Hadewijch, a Flemish beguine, who lived and wrote somewhere in Brabant during the thirteenth century, has brought mystical literature as a whole to its highest point. Hadewijch's teaching is most accessible in her Letters, as there it is cast in a mould that succeeds in touching the senses as well as the mind. In her text, oral and written culture combine to form an organic unity: when Hadewijch writes, she not only builds sentences with words but composes sounds as well. In these mystical texts, minne ("love") is pivotal as regards both form and content -- a distinction which Hadewijch largely overrides. As regards form, minne serves as a catchword which occurs everywhere, again and again, ...
Hadewijch
Hadewijch, c. 1210-160, commands increasing attention internationally. As an author, she is extremely creative and artistic. As a beguine, she belongs to a revolutionary women's movement formed by religious women who, conscious of their gender, did not wish to enter into either marriage or a convent. Spiritually and materially independent, these first beguines come into conflict with social order, and endure the reaction of clerics, religious and secular authorities, and those in orders. As a mystic, Hadewijch illuminates both the glorious aspects of the love-relationship with God and its painful aspect: with the enjoyment of love (minne) goes an increasingly intense desire; in unity, the alterity of the Beloved becomes all the stronger. Consequently, union with God is not a spiritual elevation by which a person is released from his or her being human: the authentic mystical being-one consists rather of the interplay between resting in God and working in this world, between being God with God and being man with the Man (Christ). You must live as a human being! - this is the kernel of Hadewijch's life and teaching.
The Limburg Sermons: Preaching in the Medieval Low Countries at the Turn of the Fourteenth Century
For a long time it was thought that there were no Middle Dutch sermons dating from the thirteenth century. It was only after J.P. Gumbert had redated the manuscript from The Hague containing the Limburg Sermons that its contents could be assigned to that century. Most of the Limburg Sermons appear to be translations of the Middle High German St. Georgen sermons. But sixteen of these texts are known only in Middle Dutch, and among these is to be found material drawn from the works of Hadewijch and Beatrijs van Nazareth. Thus the Limburg Sermons emerge to take their place in the famous tradition of Brabantine mysticism.
