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Emma Hagström Molin uncovers the history of a most peculiar heritage: seventeenth-century plunder in the form of archival documents, manuscripts and books preserved in Swedish archives and libraries.
This book analyses the legal aspects of international claims by indigenous peoples for the repatriation of their cultural property, and explores what legal norms and normative orders would be appropriate for resolving these claims. To establish context, the book first provides insights into the exceptional legislative responses to the cultural property claims of Native American tribes in the United States and looks at the possible relevance of this national law on the international level. It then shifts to the multinational setting by using the method of legal pluralism and takes into consideration international human rights law, international cultural heritage law, the applicable national laws in the United Kingdom, France and Switzerland, transnational law such as museum codes, and decision-making in extra-legal procedures. In the process, the book reveals the limits of the law in dealing with the growing imperative of human rights in the field, and concludes with three basic insights that are of key relevance for improving the law and decision-making with regard to indigenous peoples’ cultural property.
Shaken by military defeat and economic depression after War World I, Germans sought to restore their nation's dignity and power. In this context the National Socialist Party, with its promise of a revivified Germany, drew supporters. Among the most zealous were a number of Catholic clergymen known as "brown priests" who volunteered as Nazi propagandists. In this insightful study, Spicer unearths a dark subchapter in Roman Catholic history, introduces the principal clergymen who participated in the Nazi movement, examines their motives, details their advocacy of National Socialism, and explores the consequences of their political activism. Some brown priests, particularly war veterans, advoca...
Das Handbuch "Der Deutsche Wirtschaftsanwalt" entwickelt sich zu einer kleinen Erfolgsgeschichte. Es hat all den Unternehmen, die rechtlichen Rat suchten, geholfen, den richtigen Partner zu finden. Und guter Rat ist Geldes wert. Haufig bilden sich so auch langfristige personliche Beziehungen in der Zusammenarbeit. "Der Deutsche Wirtschaftsanwalt" hat eine Auswahl von 250 Kanzleien getroffen, die portratiert sowie mit ihren jeweils besonderen Kompetenzen und Ansprechpartnern dargestellt werdenDas Spektrum der Auswahl reicht von grossen Sozietaten mit einem Full-Service-Angebot bishin zu hochspezialisierten Anwaltsboutiquen. Dadurch ist "Der Deutsche Wirtschaftsanwalt"genau auf die Bedurfnisse der Rechtsabteilungen der Unternehmen zugeschnitten.
While focusing on international private law and international arbitration, the essays also address the questions of constitutional law and legal philosophy. State-of-the-art contributions, covering a wide scope from the practical analysis of American arbitration policy and the position of the USA vis-à-vis international law, through the latest developments in German legal practice, to theoretical issues of jurisdiction. Especially rich is the volume in exploring the legal dimension of the European integration process.
This book is about the creation, relocation, and reconstruction of libraries between the late Middle Ages and the Age of Confessionalization, that is, the era of religious division and struggle in Northern Europe following the Reformation and Counter-Reformation in the sixteenth and seventeenth centuries. At the time, different creeds clashed with each other, but it was also a period in which the political and intellectual geography of Europe was redrawn. Centuries-old political, economic, and cultural networks fell apart and were replaced with new ones. Books and libraries were at the centre of these cultural, political, and religious transformations, frequently seized as war booties and appropriated by their new owners in distant locations.
Propaganda has always played a key role in shaping attitudes during periods of conflict and the academic study of propaganda, commencing in earnest in 1915, has never really left us. We continue to want to understand propaganda's inner-workings and, in doing so, to control and confine its influence. We remain anxious about pernicious information warfare campaigns, especially those that seemingly endanger liberal democracy or freedom of thought. What are the challenges, then, of studying propaganda studies in the twenty-first century? Much scholarship remains locked into the study of state-led campaigns, however an area of special concern in recent years has been the loss of official control over the basic instruments of mass communication. This has been seen in the rise of 'fake news' and the ability of non-state actors to influence political events. This volume presents the latest research in propaganda studies, featuring contributions from a range of leading scholars and covering the most cutting-edge scholarship in the study of propaganda from World War I to the present.
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A compelling exploration of the many issues surrounding the restoration and restitution of Nazi-stolen art at the end of World War II At the end of World War II, the US Office of Military Government for Germany and Bavaria, through its Monuments, Fine Arts, and Archives division, was responsible for the repatriation of most of the tens of thousands of artwork looted by the Nazis in the countries they had occupied. With the help of the US Army’s Monuments Men—the name given to a hand-picked group of art historians and museum professionals commissioned for this important duty—massive numbers of objects were retrieved from their wartime hiding places and inventoried for repatriation. Iris...
Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced ch...