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Pretty Ribbons
Die öffentliche Moralvorstellung unserer Gesellschaft(en) tabuisiert sowohl das Sujet des alten Körpers wie auch dasjenige körperlicher Initimität. Beide Tabus werden von Cumming in seinen fotografischen Arbeiten gebrochen. ...
Cantos cuentos colombianos
Cantos/Cuentos Colombianos is the most comprehensive exhibition of contemporary Colombian art ever shown in Europe. Ten widely recognized Colombian artists present a previously unknown world of images and experience worthy of international attention. With great formal and substantive rigor, the artists deal with their country and its troubled past and present through installation, video, photography, objects, performance and sound works. The book includes extensive photo-documentation of the artists' studios as well as in-depth interviews. Four prominent Colombian thinkers of varying political persuasions discuss political, social and cultural issues facing their country in enlightening and thought-provoking essays.
WLA
None
Fred Herzog
Fred Herzog's bold use of colour in the 1950s and 60s set him apart at a time when the only art photography taken seriously was in black and white. His early use of color make him a forerunner of "New Colour" photographers such as Stephen Shore and William Eggleston, who received widespread acclaim in the 1970s. Herzog images were all taken on Kodachrome, a slide film with a sharpness and tonal range that, until recently, could not be reproduced in prints, and his choice of medium limited his exhibition opportunities. However, recent advances in digital technology have made high-quality prints of his work possible, and in the past few years his substantial and influential body of work has been available to a wider audience. Fred Herzog: Photographs showcases this innovative artist's impressive oeuvre in a beautifully crafted volume of early color and urban street photography. Providing authoritative texts are four titans of the art community: Jeff Wall anchors Herzog's place in the history of photography, Claudia Gochmann sets his work in an international context and Sarah Milroy and Douglas Coupland provide additional commentary.
The Art of the Flower
The "flower piece" has existed as an art genre since the 16th century, but for decades the floral still life was considered unworthy of artists' attention because of its alleged superficiality and bourgeois banality. But now in the nineties, this old motif is enjoying a revival. ART OF THE FLOWER places the genre in its historical perspective.
Afterwords
Reading both philosophical and theological texts, this book presents an argument against nostalgia: against the myth of a Golden Age, against the posture that sees "modernity" as a problem to be solved.
Taking Aim!
Taking Aim The Business of Being an Artist Today is a practical, affordable resource guide filled with invaluable advice for the emerging artist. The book is specially designed to aid visual artists in furthering their careers through unfiltered information about the business practices and idiosyncrasies of the contemporary art world. It demystifies often daunting and opaque practices through first-hand testimonials, interviews, and commentary from leading artists, curators, gallerists, collectors, critics, art consultants, arts administrators, art fair directors, auction house experts, and other art world luminaries. Published in celebration of the 30th anniversary of Artist in the Marketpl...
Res
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.
Useless Beauty
The story of Australian art does not begin and end with landscape. This book puts flowers front and centre, because they have often been ignored in preference for more masculine themes. Departing from where studies of single flower artists leave off, Useless Beauty embraces the general topic of flowers in Australian art and shines new light on a slice of Australian art history that extends from 1880 to 1950. It is the first book of broad chronology to discuss Australian art through blossoms, which it does by addressing stories of major figures including Hans Heysen, Margaret Preston and Sidney Nolan, as well as specific objects such as surreal flowers, Aboriginal flowers and war flowers. Whe...
