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Boundaries in China
Boundary making, a crucial element in human cultural creativity, links these essays exploring Chinese art and society. Traversing time and cultural category, individual expression and social construct, the authors demonstrate how a 'boundary' may exist simultaneously as barrier, threshold and interface. The essays range from the creation of the first political and bureaucratic boundaries in early China, to the dismantling of discursive boundaries in the post-Mao era. Spanning diverse subjects, moving between ancient funerary art and the tension between self and image in modern Peking Opera, they deftly explore the psychodynamics of Chinese society. All the authors in this book are established Sinologists. Boundaries in China will be stimulating reading for anyone interested to see how the seemingly tangential or peripheral can turn out to be of central concern in non-Western (and perhaps also Western) art and culture.
Zhang Hongtu
In this book, leading art experts, art historians, and critics review the life, career, and artistic development of New York based Chinese artist Zhang Hongtu. A pioneer in contemporary Chinese art, Zhang created the first example of "China Pop" art, and his oeuvre is as diverse, intellectually complex, and engaging as it is entertaining. From painting and sculpture to computer generated works and multimedia projects, Zhang's art is equally rich in terms of China's history and its current events, containing profound reflections on China's oldest cultural habits and contemporary preoccupations. He provides a model of cross-cultural interaction designed to make Asian and Western audiences look...
China's New Cultural Scene
Portrays the ongoing revolution in cultural production that has transformed contemporary life in the People's Republic of China.
Remaking Beijing
"Tiananmen Square is the most sacred space in Beijing - a site for Mao's monumental portrait, for museums, parades and, more recently, for violent demonstrations. Wu Hung grew up in Beijing and witnessed its transformation. In this lavishly illustrated work he offers a vivid, often personal, account of the struggle over Beijing's reinvention and offers new insights into the city's history. The final part of the book is devoted to paintings, photographs and performances by artists that take issue with the political and cultural meanings of Tiananmen Square and official efforts of repression."--BOOK JACKET.
Negotiating Difference
Contemporary Chinese art is still a young field now being opened up to critical academic research. Negotiating Difference is a pioneering collection of articles which engage with contemporary Chinese art in a global context. The contributions collectively address the urgent methodological question of how to describe, contextualize and theorize artworks and artistic processes in and beyond the People's Republic of China since the end of the Cultural Revolution. The studies break new ground as they chalk out the transcultural entanglements of which art and its practices partake and which they in turn reconfigure. The book features 20 essays written by a select group of international junior and senior scholars engaged in ambitious and methodologically innovative research on contemporary Chinese art. Their multi-faceted, in part interdisciplinary approaches are complemented by four contributions by distinguished practitioners in the field, who - as art curators and critics - are located in China and explore key developments within Chinese art and the changing art scene of the last three decades.
Making History
This volume analyzes the cultural origins, precedents, influences and aspirations of the contemporary Chinese artists.
The Cambridge Companion to Modern Chinese Culture
A wide-ranging and accessibly written guide to the key aspects of elite and popular culture in contemporary China.
The Routledge Companion to Surrealism
This book provides a conceptual and global overview of the field of Surrealist studies. Methodologically, the companion considers Surrealism’s many achievements, but also its historical shortcomings, to illuminate its connections to the historical and cultural moment(s) from which it originated and to assess both the ways in which it still shapes our world in inspiring ways and the ways in which it might appear problematic as we look back at it from a twenty-first-century vantage point. Contributions from experienced scholars will enable professors to teach the subject more broadly, by opening their eyes to aspects of the field that are on the margins of their expertise, and it will enable scholars to identify new areas of study in their own work, by indicating lines of research at a tangent to their own. The companion will reflect the interdisciplinarity of Surrealism by incorporating discussions pertaining to the visual arts, as well as literature, film, and political and intellectual history.
Information Computing and Applications
This two-volume set of CCIS 391 and CCIS 392 constitutes the refereed proceedings of the Fourth International Conference on Information Computing and Applications, ICICA 2013, held in Singapore, in August 2013. The 126 revised full papers presented in both volumes were carefully reviewed and selected from 665 submissions. The papers are organized in topical sections on Internet computing and applications; engineering management and applications; intelligent computing and applications; control engineering and applications; cloud and evolutionary computing; knowledge management and applications; computational statistics and applications.
