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Bencana Alam di Bali dalam Perspektif Ilmu Geografi
Bali adalah gabungan epik antara keindahan alam tropis dan ancaman bencana alam yang mengintai. Dari perspektif ilmu geografi, Bali terletak di Cincin Api Pasifik, kawasan yang dikenal dengan aktivitas vulkanik dan gempa bumi yang tinggi. Aktivitas geologis ini mempengaruhi morfologi pulau, membentuk pegunungan yang indah namun rentan terhadap erosi dan longsor. Selain itu, dengan pemanasan global, ancaman kenaikan permukaan laut, perubahan musim dan badai tropis juga meningkat, mengancam keberlanjutan ekosistem pesisir dan daratan Bali. Buku ini tidak hanya menggambarkan kerentanan geografis Pulau Bali terhadap bencana, tetapi juga bagaimana seharusnya masyarakat lokal dan pemerintah bekerja sama dalam mitigasi dan adaptasi untuk melindungi kehidupan dan keindahan pulau ini. Buku ini dapat menjadi gambaran ringkas namun mendalam tentang hubungan kompleks antara geografi, bencana, dan manusia di Pulau Dewata.
How I Became a Hindu
Autobiography of Vedic scholar converts from Christianity.
From Lanka Eastwards
The Kakawin Ramayana, arguably the oldest Old Javanese epic text in Indic metres (circa 9th century AD), holds a unique position in the literary heritage of Indonesia. The poem has retained a remarkable vitality through the centuries in the Archipelago, inspiring many forms of artistic expression not only in the domain of literature but also in the visual and performing arts, from the reliefs of the majestic Central Javanese temples to modern puppet-show performances. Displaying a virtuoso array of metrical patterns, the Kakawin Ramayana is among the very few Old Javanese texts for which a specific Sanskrit prototype has been identified, namely the difficult poem Bhattikavya (circa 7th centu...
Java in the 14th Century
Essentially the following commentary on the contents of the Nägara-Kertägama has been made up from notes by former editors of the text together with remarks, criticisms and digressions by the present author. As Kern, Krom and their contemporaries were especially interested in dynastie history and archeology their notes on those subjects are legion, and as a result of their studies on many points a communis opinio has been reached. The argumentations which led up to this end are not reproduced in the present edition. The interested reader is referred to Krom's great books: Oud-Javaansche Kunst and Hindoe-Javaansche Geschiedenis. It is to be expected that before long the results of Krom's li...
Literature of Java
The third, concluding volume of "Literature of Java" contains Addenda and a General Index, preceded by Illustrations, Facsimiles of Manuscripts, Maps and some Minor Notes, additions which may be of U'se to students of Javanese literature. The older catalogues of collections of Indonesian manuscripts (Javanese, Malay, Sundanese, Madurese, Balinese), which were written in Dutch, did not offer such additional aids to interested readers. One of the reasons was. , that the authors (Vreede, Brandes, van Ronkel, Juynboll, Berg) presupposed a certain knowledge of the Indones,ian peoples, their countries and their culture with Dutch students. As often as not the latter, or their families, had lived f...
Why I Became a Hindu
The movement known as Hindu Resurgence, Hindu Awakening or Hindu Renaissance has become increasingly noticeable, and there is a distinct effort to liberate Hinduism from the definitions andlimitations imposed by the domination of hostile outsiders. However, confusion and lack of proper information are still serious obstacles on the path of proper understanding and realisation. India, or as it was called in ancient times, Bharata Varsha, has an immense potential that can be materialised simply by returning to the correctoriginal perspective of the golden Vedic civilisation that is the natural heritage of all Indians and in fact of all human beings.The Rig Veda samhita (9.63.5) points us in the correct direction: Krinvanto visvam aryam, "Let everyone become arya"
Development of Tourism and the Hospitality Industry in Southeast Asia
This book highlights the state-of-the-art tourism and hospitality industry in Southeast Asian countries, while also presenting future directions for the industry with an emphasis on decision-making models. It first elaborates on the significant role of the tourism and hospitality industry given the rapid socio-economic and cultural changes occurring in Southeast Asia, before providing perspectives on medical tourism, tourism for seniors and several other developments within the tourism and hospitality sector. Development of Tourism and the Hospitality Industry in Southeast Asia presents scholarly perspectives from researchers across the region and is geared towards world-wide readers in academia, as well as experts from the industry.
Geomorphological Mapping
Geomorphological Mapping: a professional handbook of techniques and applications is a new book targeted at academics and practitioners who use, or wish to utilise, geomorphological mapping within their work. Synthesising for the first time an historical perspective to geomorphological mapping, field based and digital tools and techniques for mapping and an extensive array of case studies from academics and professionals active in the area. Those active in geomorphology, engineering geology, reinsurance, Environmental Impact Assessors, and allied areas, will find the text of immense value. Growth of interest in geomorphological mapping and currently no texts comprehensively cover this topic Extensive case studies that will appeal to professionals, academics and students (with extensive use of diagrams, potentially colour plates) Brings together material on digital mapping (GIS and remote sensing), cartography and data sources with a focus on modern technologies (including GIS, remote sensing and digital terrain analysis) Provides readers with summaries of current advances in methodological/technical aspects Accompanied by electronic resources for digital mapping
WAYANG WONG
Preface I have been teaching the history of performing arts and Javanese dance, Yogyakarta style, for twenty years, and there have always been two features of this history that made me think and rethink: (1) wayang wong was never performed outside the palace’s walls until the first quarter of the twentieth century, becase it was considered a pusaka (sacred heiloom): and (2) wayang wong performances were always put on the Tratag Bangsal Kĕncana stage and started at dawn. Numerous ex-wayang wong dancers of the Yogyakarta court gave me the same answers to my questions about hese facts. They said that: (1) wayang wong was a pusaka because it was created by Sultan Hamĕngkubuwana I; and (2) wa...
