Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Early Modern Women in the Low Countries
Combining historical, historiographical, museological, and touristic analysis, this study investigates how late medieval and early modern women of the Low Countries expressed themselves through texts, art, architecture and material objects, how they were represented by contemporaries, and how they have been interpreted in modern academic and popular contexts. Broomhall and Spinks analyse late medieval and early modern women's opportunities to narrate their experiences and ideas, as well as the processes that have shaped their representation in the heritage and cultural tourism of the Netherlands and Belgium today. The authors study female-authored objects such as familial and political lette...
In the Vanguard of Cultural Transfer
Cover -- Table of contents -- Preface -- In the Vanguard of Cultural Transfer -- Spread the Word. Arne and Hulda Garborg as Cultural Transmitters of Nynorsk -- Marie-Elisabeth Belpaire and Dina Logeman-Van der Willigen: Two Cultural Transmitters in Flanders - in the Same Literary Field? -- Greta Baars-Jelgersma, Cora Sandel and the Dutch Literary Field, 1925-1950. Aspects of Cross-national Literary Transfer -- 'There is Always an Invisible Reader ... ' The Swedish Critic Margit Abenius and the Making of a Female Cultural Transmitter -- Walking the Streets of Helsinki. The Flâneur in Early Finnish Prose Literature -- One Nation - Two Literatures? From Finnish to Swedish: Some Themes in the Translation of Finnish Literature into Swedish, 1900-1950 -- About the Authors -- Bibliography -- Index
Van Gogh and the Colors of the Night
Co-published by Museum of Modern Art and the Van Gogh Museum in conjunction with the first exhibition to focus on Vincent van Gogh's depictions of nocturnal and twilight scenes, Van Gogh and the Colors of the Night examines the artist's night landscapes, interior scenes, and representations of the effects of both gaslight and natural light on their surroundings. It features over one hundred illustrations, including details of Van Gogh's iconic paintings and works by other artist important to the development of his style.
The Oxford Handbook of the Baroque
Baroque, the cultural period extending from the mid-sixteenth to the mid-eighteenth century, created some of the world's most striking monuments, music, artworks, and literature. This Handbook goes beyond all existing studies by presenting Baroque not only as a style, but also as a global cultural phenomenon arising in response to enormous religious, political, and technological changes.
The Low Countries at the Crossroads
This book focuses on the diffusion of architectural inventions from the Low Countries to other parts of Europe from the late fifteenth until the end of the seventeenth century. Multiple pathways connected the architecture of the Low Countries with the world, but a coherent analysis of the phenomenon is still missing. Written by an international team of specialists, the book offers case-studies illustrating various mechanisms of transmission, such as the migration of building masters and sculptors who worked as architects abroad, networks of foreign patrons inviting Netherlandish artists, printed models and the role of foreign architects who visited the Low Countries for professional reasons. Its geographical scope is as broad as the period under review and includes all European regions where Netherlandish elements were found: from Spain to Scandinavia and from Scotland to Transylvania.
Bruges
None
Mary I
The lifestory of Mary I--daughter of Henry VIII and his Spanish wife, Catherine of Aragon--is often distilled to a few dramatic episodes: her victory over the attempted coup by Lady Jane Grey, the imprisonment of her half-sister Elizabeth, the bloody burning of Protestants, her short marriage to Philip of Spain. This original and deeply researched biography paints a far more detailed portrait of Mary and offers a fresh understanding of her religious faith and policies as well as her historical significance in England and beyond. John Edwards, a leading scholar of English and Spanish history, is the first to make full use of Continental archives in this context, especially Spanish ones, to de...
Franz Liszt
Franz Liszt: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition includes research published since the publication of the first edition and provide electronic resources. Franz Liszt was born on 22 October 1811 at Raiding, today located in Austria’s Burgenland. He received his first piano lessons from his father, Adam Liszt, an employee of the celebrated Eszterházy family. Young Franz was quickly acclaimed a prodigy, and in 1820 a group of Hungarian magnates offered to underwrite his musical education. Shortly thereafter the Liszts moved to Vienna, where Franz studied piano and composition with Carl Czerny and Anton Salieri. Performances there earned Liszt local fame; even Beethoven expressed interest in him.
Genre Imagery in Early Modern Northern Europe
Exploring the rich variety of pictorial rhetoric in early modern northern European genre images, this volume deepens our understanding of genre's place in early modern visual culture. From 1500 to 1700, artists in northern Europe pioneered the category of pictures now known as genre, portrayals of people in ostensibly quotidian situations. Critical approaches to genre images have moved past the antiquated notion that they portray uncomplicated 'slices of life,' describing them instead as heavily encoded pictorial essays, laden with symbols that only the most erudite contemporary viewers and modern iconographers could fully comprehend. These essays challenge that limiting binary, revealing a ...
Approaches to the Visual in Religion
The authors of this volume investigate the analysis of visual sources and their indispensable role for understanding and interpreting religions, their symbol systems, and the wider traditions of which they are a part. A particular interest in this study is the focus on the methodological challenge of images from a comparative perspective. The common concern that ranges over all the contributions is the search for a methodological perspective where images may be analysed in a comprehensive way, with particular regard for the social, and wider intellectual settings, as well as the religious, in which the images are embedded. Accordingly, we seek to show that visual sources need to be interpret...
