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‘I never see my father. My father never sees me. But I see with the eyes he gave me. Slanted like the wings of gulls flying in the sky. And, when my mother speaks of Mexico, her eyes mist up with the lights of memory.’ Through young Mai’s eyes, life is enchanting and full of beauty. She dances on her grandfather’s feet while he talks of freedom. But the world is hard and her mother is struggling. When Rashid arrives, he casts a deep shadow over their lives. Nothing is beyond her new stepfather. They are desperate to escape from him, and their world becomes a constant battle for survival – one of fleeing, multiple identities, abduction and upheaval. Mai’s eyes not only witness the story of her mother, but also the poignant stories of the many women she encounters across different countries. Finally, Mai learns that, when freedom comes, it comes at a bitter price. From Mexico to Scotland to London to North Africa, the West Indies and back again, Glowfly Dance is a powerful and haunting story of migration, resilience and, ultimately, hope.
This book explores the potential of Pan-African thought in contributing to advancing psychological research, theory and practice. Euro/American mainstream psychology has historically served the interests of a dominant western paradigm. Contemporary trends in psychological work have emerged as a direct result of the impact of violent histories of slavery, genocide and colonisation. Hence, this book proposes that psychology, particularly in its social forms, as a discipline centered on the relationship between mind and society, is well-placed to produce the critical knowledge and tools for imagining and promoting a just and equitable world.
Cape Town is a place between two oceans, between first and third worlds, between east and west. The majority of its citizens: a people between black and white, native and settler, African and European. How can we understand a city that is most assuredly in Africa, though not””seemingly””of it? By exploring this city’s tween-ness, we can begin to understand the soul of this town””haunted by its past, unsure of its future. A short book just over 100 pages, it allows readers to quickly identify the unique pulse of the city, its throbbing historical, social, cultural and political beat that underlies the transactions between all Capetonians. This is not a substitute for a traditional guidebook, but a perfect companion to one, filling in the intimate details that other books leave out.
Best New African Poets 2016 Anthology has 251 pieces from 131 poets and artists in 7 languages (English, Portuguese, French, Afrikaans, Shona, Yoruba and Kiswahili) from 24 African countries and Diasporas, with South African and Angolan poets dominating the list. We also have a healthy number of poets from Uganda, Zimbabwe, Kenya, Moçambique, Ghana, and Nigeria, as usual. The nationalist sense is the one that most predominates with its pink, blue and gray tints that are expressed in parallel with existentialist perspectives that in turn go hand in hand with love, desire, hankering, joy, sensuality that transports us to epic, lyrical, utopian contexts without being lost in fantasy, they are artistic lines sometimes with traditional and sometimes more innovative touches. However, in contrast and to a lesser extent, almost as if there were resistant and with restraint we also find desolation, pain, negation that can be so sweet or so bitter that it allows the imagination to stop in a lament or end in resignation.
An engrossing look at how history has been produced, contested, and unsettled in South Africa from Mandela's release to 2010.
It has been twelve years since a work relating to the long-tailed African monkeys known as the guenons has been published and fifteen years have passed since the last major scientific symposium was held that was solely dedicated to current research on members of this monkey group living in the wild. Since that time, new guenon species and subspecies have been discovered, previously unstudied guenon species have become the subject of long-term research projects, and knowledge of the more well-known guenon species has greatly increased. This volume presents novel information and keen insight on research previously studied and newly discovered. A wide range of topics related to guenon biology is presented, including evolution, taxonomy, biogeography, reproductive physiology, social and positional behavior, ecology, and conservation. Composed of 26 chapters compiled by 47 authors, many of whom are young investigators in their field, The Guenons: Diversity and Adaptation in African Monkeys provides a valuable resource for researchers and scientists in the fields of anthropology, primatology, zoology, and conservation biology.
Best New African Poets 2016 Anthology has 251 pieces from 131 poets and artists in 7 languages (English, Portuguese, French, Afrikaans, Shona, Yoruba and Kiswahili) from 24 African countries and Diasporas, with South African and Angolan poets dominating the list. We also have a healthy number of poets from Uganda, Zimbabwe, Kenya, Moçambique, Ghana, and Nigeria. The nationalist sense is the one that most predominates with its pink, blue and gray tints that are expressed in parallel with existentialist perspectives that in turn go hand in hand with love, desire, hankering, joy, sensuality that transports us to epic, lyrical, utopian contexts without being lost in fantasy, they are artistic lines sometimes with traditional and sometimes more innovative touches. However, in contrast and to a lesser extent, almost as if there were resistant and with restraint we also find desolation, pain, negation that can be so sweet or so bitter that it allows the imagination to stop in a lament or end in resignation.
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While the importance of the relationship between anthropology and contemporary art has long been recognized, the discussion has tended to be among scholars from North America, Europe, and Australia; until now, scholarship and experiences from other regions have been largely absent from mainstream debate. Alternative Art and Anthropology: Global Encounters rectifies this by offering a ground-breaking new approach to the subject. Entirely dedicated to perspectives from Asia, Latin America, and Africa, the book advances our understanding of the connections between anthropology and contemporary art on a global scale. Across ten chapters, a range of anthropologists, artists, and curators from cou...
The Nigerian and West African practice of aso ebi fashion invokes notions of wealth and group dynamics in social gatherings. Okechukwu Nwafor’s volume Aso ebi investigates the practice in the cosmopolitan urban setting of Lagos, and argues that the visual and consumerist hype typical of the late capitalist system feeds this unique fashion practice. The book suggests that dress, fashion, aso ebi, and photography engender a new visual culture that largely reflects the economics of mundane living. Nwafor examines the practice’s societal dilemma, whereby the solidarity of aso ebi is dismissed by many as an ephemeral transaction. A circuitous transaction among photographers, fashion magazine ...