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Paradise from behind the Iron Curtain
Paradise from behind the Iron Curtain provides a detailed survey of the key responses to Milton’s work in Hungarian state socialism. The four decades between 1948 and 1989 saw a radical revision of previous critical and artistic positions and resulted in the emergence of some characteristically Eastern European responses to Milton’s works. Critical and artistic appraisals of Milton’s works in the communist era proved more controversial than receptions of other major Western authors: on the one hand, Milton’s participation in the Civil War earned him the title of a ‘revolutionary hero,’ on the other hand, religious aspects of his works were often disregarded and sometimes proactiv...
Ljudske balade med izročilom in sodobnostjo
V zborniku je petindvajset razprav raziskovalcev iz vsega sveta od Anglije, Bolgarije, Danske, Finske, Hrvaške, Madžarske, Makedonije, Mehike, Romunije, Rusije, Škotske, Walesa do ZDA in seveda Slovenije. Razprave so pregled mednarodnega raziskovanja ljudskih balad in predstavljajo, kako se tokovi preteklega in odsevi zgodovinskih časov, arhetipske zgodbe prepletajo z vdorom naših kulturnih in družbenih razmer tudi v nastajanje, odmiranje in ponovno oživljanje balad, tako da njihovo raziskovanje prinaša neizogibne spremembe.
The Reception of Robert Burns in Europe
Robert Burns (1759 –1796), Scotland's national poet and pioneer of the Romantic Movement, has been hugely influential across Europe and indeed throughout the world. Burns has been translated seven times as often as Byron, with 21 Norwegian translations alone recorded since 1990; he was translated into German before the end of his short life, and was of key importance in the vernacular politics of central and Eastern Europe in the nineteenth century. This collection of essays by leading international scholars and translators traces the cultural impact of Burns' work across Europe and includes bibliographies of major translations of his work in each country covered, as well as a publication history and timeline of his reception on the continent.
Narrating the Nation
A sustained and systematic study of the construction, erosion and reconstruction of national histories across a wide variety of states is highly topical and extremely relevant in the context of the accelerating processes of Europeanization and globalization. However, as demonstrated in this volume, histories have not, of course, only been written by professional historians. Drawing on studies from a number of different European nation states, the contributors to this volume present a systematic exploration, of the representation of the national paradigm. In doing so, they contextualize the European experience in a more global framework by providing comparative perspectives on the national histories in the Far East and North America. As such, they expose the complex variables and diverse actors that lie behind the narration of a nation.
Elizabeth Adam’s Progressive Humanist Non-Nationalist Universal-Nation-Making Means (Second Edition)
Besides presenting her humanist principles, their introduction in her art and diffusion, this book discloses those information, “puzzles” relative to the ethnical and the national secret political organizations, which the Hungarian actress in Romania Elizabeth Adam (1947-2014) — in her original name Erzsébet ÁDÁM — introduced codedly, “hid” in her art, and partly because of which she was in several states “marginalized”, persecuted in secret, and then forbidden from practicing her profession.
Community Networks and Cultural Practices in Twentieth-Century Romania
Community Networks and Cultural Practices in Twentieth-Century Romania: Paper-Based Cultures in the Writings of a Catholic Priest presents an anthropological interpretation of 2,400 documents left behind by a Hungarianized Swabian Catholic priest living in Romania during one of the Eastern European dictatorships of the twentieth century. This book addresses what the pre-digital paper-based culture was like in Eastern Europe from the point of view of the protagonist, a Catholic priest, who lived in a predominantly Orthodox country. The author calls the twentieth century the era of the typewriter. Mária Szikszai’s questions refer to both the epoch and the micro-universe of these people. What was the world like in which the protagonist and the other people he was in contact with lived? How did they live their daily lives? How did they make important decisions? What pains, hopes, and joys did they have? What did they have to say and what were they silent about? This volume presents an anthropological incursion into the life of an Eastern European man who lived almost throughout the twentieth century, during which time he tried to document the era he was living in.
The Remote Borderland
Explores how Transylvania figures in the Hungarian imagination and how this border region functions in the creation of national identity.
Body, Soul, Spirits and Supernatural Communication
This book provides a nuanced picture of the notions of body and soul held by the peoples of Europe through the soul concepts associated with the Judeo-Christian tradition and other religions and denominations; and the alternative traditions preserved alongside Christianity in folklore collections, linguistic and literary records. The studies also emphasize the connections between these notions and beliefs related to death and the dead, as well as questions of communication between the human world and the spirit world. The essays here focus on the roles notions of the soul and the spirit world play in the everyday life, religion and mentality of various communities; their folklore and literary representations, as well as the narrative metaphors, motifs, topoi and genres of ideas about the soul and about supernatural communication, along with questions of the relationship between narratives and religious notions. This book will appeal to researchers and students of religion, mythology, folklore and the anthropology of religion, as well as general readers interested in the humanities.
