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Nineteenth-Century American Women Writers and Theologies of the Afterlife
This collection analyzes the theme of the "afterlife" as it animated nineteenth-century American women’s theology-making and appeals for social justice. Authors like Harriet Beecher Stowe, Elizabeth Stuart Phelps, Martha Finley, Jarena Lee, Maria Stewart, Zilpha Elaw, Rebecca Cox Jackson, Catharine Maria Sedgwick, Elizabeth Palmer Peabody, Belinda Marden Pratt, and others wrote to have a voice in the moral debates that were consuming churches and national politics. These texts are expressions of the lives and dynamic minds of women who developed sophisticated, systematic spiritual and textual approaches to the divine, to their denominations or religious traditions, and to the mainstream culture around them. Women do not simply live out theologies authored by men. Rather, Nineteenth-Century American Women Writers and Theologies of the Afterlife: A Step Closer to Heaven is grounded in the radical notion that the theological principles crafted by women and derived from women’s experiences, intellectual habits, and organizational capabilities are foundational to American literature itself.
An Ethic of Innocence
Offers a feminist theory of ignorance that sheds light on the misunderstood or overlooked epistemic practices of women in literature. An Ethic of Innocence examines representations of women in American and British fin-de-siècle and modern literature who seem “not to know” things. These naïve fools, Pollyannaish dupes, obedient traditionalists, or regressive anti-feminists have been dismissed by critics as conservative, backward, and out of sync with, even threatening to, modern feminist goals. Grounded in the late nineteenth century’s changing political and generic representations of women, this book provides a novel interpretative framework for reconsidering the epistemic claims of these women. Kristen L. Renzi analyzes characters from works by Henry James, Frank Norris, Ann Petry, Rebecca West, Edith Wharton, Virginia Woolf, and others, to argue that these feminine figures who choose not to know actually represent and model crucial pragmatic strategies by which modern and contemporary subjects navigate, survive, and even oppose gender oppression. Kristen L. Renzi is Associate Professor of English at Xavier University.
Desirable Belief
Desirable Belief: A Theology of Eros is a work of critical and constructive theology informed by the phenomenon of erotic love. Within the Christian tradition, passion has long been associated with sinful lust, incurring shaming and accusations of narcissism. Contemporary theologies of eros, on the other hand, extol sexual desire as God-given, even sacred. This book eschews these two extremes through an examination of the complexities of love and desire, as narrated in biblical texts, allegorized by church fathers, manifested in the lives of mystics, analyzed in psychodynamic theory, and depicted in poetry, literature, and Christian art. The volume pairs writers on love as different as Augustine and Jane Austen or Angela of Foligno and Simone de Beauvoir. Desirable Belief argues that eros is human and, as such, informs the Chalcedonian claim of Christ as fully God and fully human. A christological perspective that takes eros into account, in turn, affects the doctrine of the bodily ascension of Christ, the nature of resurrected bodies in heaven, and whether trinitarian impassibility is still a coherent concept.
Blackness in Opera
Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies ov...
Reflections on Fanon: The Violences of Colonialism and Racism, Inner and Global—Conversations with Frantz Fanon on the Meaning of Human Emancipation (Proceedings of the Fourth Annual Social Theory Forum, March 27-28, 2007, UMass Boston)
This Special Summer 2007 (vol. V) Issue of Human Architecture: Journal of the Sociology of Self-Knowledge includes the proceedings of the fourth annual Social Theory Forum (STF), held on March 27-28, 2007, at UMass Boston. The theme of the conference was “The Violences of Colonialism and Racism, Inner and Global: Conversations with Frantz Fanon on the Meaning of Human Emancipation.” The Social Theory Forum sought to revisit Fanon’s insightful joining of the micro and the macro—the everyday life and the increasingly global and world-historical—insights into critical social psychological and imaginative social analysis and theorizing in favor of innovative discourses on the meaning o...
Girls to the Rescue
During World War I, as young men journeyed overseas to battle, American women maintained the home front by knitting, fundraising, and conserving supplies. These became daily chores for young girls, but many longed to be part of a larger, more glorious war effort--and some were. A new genre of young adult books entered the market, written specifically with the young girls of the war period in mind and demonstrating the wartime activities of women and girls all over the world. Through fiction, girls could catch spies, cross battlefields, man machine guns, and blow up bridges. These adventurous heroines were contemporary feminist role models, creating avenues of leadership for women and inspiring individualism and self-discovery. The work presented here analyzes the powerful messages in such literature, how it created awareness and grappled with the engagement of real girls in the United States and Allied war effort, and how it reflects their contemporaries' awareness of girls' importance.
Storied Witness
The voices of Black women have historically been silenced, especially in theological and religious contexts. Prophets rarely have platforms; faithfulness to oneself, one's community, and one's God does not often lead to prestige. Nineteenth-century Black women preachers Zilpha Elaw, Julia Foote, and Sojourner Truth are not usually presented in systematic theology classes or texts and not often cited in sermons for their biblical interpretations, nor are they taught in church history courses. They should be. These women present a liberating view of God and love for self and neighbor despite circumstances that would destroy them or relegate them and their ideas to the margins. As Elaw, Foote, ...
Student Life Courses & Social Policies
The essays gathered in this debut (I, 1, Spring 2002) issue of Human Architecture: Journal of the Sociology of Self-Knowledge were written by undergraduate students enrolled in various sociology courses offered at SUNY-Binghamton and SUNY-Oneonta. the issue also includes the editor’s paper on K. Mannheim, where the idea of a sociology of self-knowledge was born. What these courses shared was their common use of the sociology of self-knowledge as a strategy for learning about their respective subject matters. Each course required students to engage throughout the semester in an ongoing self-exploratory sociological research focusing on a specific unresolved issue, problem, or question still...
“If I touch the Depth of Your Heart … ” : The Human Promise of Poetry in Memories of Mahmoud Darwish
This 2009 (VII) special issue of Human Architecture: Journal of the Sociology of Self-Knowledge entitled “‘If I touch the depths of your heart’: The Human Promise of Poetry in Memories of Mahmoud Darwish,” is a commemorative issue on the life and poetry of the late Palestinian poet, Mahmoud Darwish, co-edited by a group of UMass Boston faculty and alumni. Other than keynote opening statements, the special issue is comprised of a selected series of longer and shorter poems by Mahmoud Darwish, followed by commemorative poetry and essays/articles that directly or indirectly engage with Mahmoud Darwish’s work and/or the subject matter of his passion and love, Palestine and human rights...
Students’ Critical Theories in Applied Settings
This Fall 2003/Spring 2004 (II, 2) issue of Human Architecture: Journal of the Sociology of Self-Knowledge includes a collection of student essays exploring their lives in an, applied, sociological imagination framework. Topics are: “A Welcoming Statement to the Editorial Advisory Board,” “The Complexity of Naive Acceptance of Socially Manipulated Beliefs,” “Alice in the Gendered Sports-Fan Wonderland: A Sociological Inquiry,” “Will I Marry Her?,” “The Effect of Immigrant Experiences on the Bifurcation of Women’s Consciousness,” “Who are “I”cscart_ A Sociology of My Traditional, Modern, and Postmodern Selves,” “My Life’s Tapestry: Casting Theoretical Lights ...
