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First published in 1622, Jeremias Drexel's 'Zodiacus christianus' (or 'Christian Zodiac') was a remarkable work of religious iconography and spiritual self-help. Raised a Lutheran but converting to Catholicism in his youth, Drexel (1581-1638) was well placed to publish a book that appealed to Protestants as well as Catholics, his 'Zodiac' appearing in multiple reprints, re-editions and translations across Europe during his lifetime and posthumously across the rest of the seventeenth century in an astonishing arc of popularity. The orbit of his readers' catchment was geographically - and denominationally - wide to a conspicuous degree. Drexel was among the most-read authors of that century, a...
This bibliography encompasses all extant books of emblems, works illustrated with emblems, and books dealing with the theory and practice of emblematics written by members of The Society of Jesus. Also included are translations and adaptations in all languages of Jesuit works by Catholics and non-Catholics alike. This bibliography will be to Jesuit emblematics what De Backer-Sommervogel is to the writings of The Society of Jesus. The complete Jesuit Series will probably comprise some 1,700 entries: about 500 first editions and a further 1,200 subsequent editions, issues, and translations. Many books are described here for first time. Of the 240 titles in this volume, 121 do not appear in Praz, 93 not in Landwehr, and 54 not in De Backer-Sommervogel. Part One also contains a substantial introduction to the various information fields that constitute the bibliographic descriptions.
This book contains twelve penetrating case-studies written by scholars from various disciplines. They focus on the use of deceit by several groups of people in different spheres of life, as well as on its representation in literary and artistic genres, and its conceptualization in philosophical and rhetorical discourses.
As well as presenting articles on Neo-Latin topics, the annual journal Humanistica Lovaniensia is a major source for critical editions of Neo-Latin texts with translations and commentaries. Please visit www.lup.be for the full table of contents.
In this book, Boston University Professor of Astronomy Michael Mendillo takes readers deep into the annals of history, showing how visual depictions of the heavens evolved in tandem with science and religion throughout much of Western culture. With unprecedented scope and scale, Professor Mendillo explores how cave art, illuminated manuscripts, sculptures, paintings and architecture reflected some of the great religious and secular battles taking place over the course of centuries. Enter a world of biblical proportions, where constellations of ancient heroes and pagans were thoroughly recast as Christian saints and the Twelve Apostles. This nontechnical narrative brings vitality and accessib...
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