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Malloban
Malloban is set in North Calcutta in the winter of 1929. The eponymous protagonist, a lower-middle-class office worker, lives in College Street-a locality known for its bookstores, publishing houses, and universities-with his wife Utpala and their daughter Monu. The novel unfolds through a series of everyday scenes of dysfunction and discontent: bickering about bathrooms and budgeting, family trips to the zoo and the movies, a visit from Utpala's brother's family which displaces Malloban to a boarding house, and the appearance of a frequent late-night visitor to Utpala's upstairs bedroom. Meanwhile, the daughter Monu bears the brunt of her parents' "unlove." Arguably the most beloved poet in modern Bangla after Tagore, Jibanananda wrote a significant number of novels and short stories discovered and published after his death. Malloban is his most popular novel.
Selected Poems
Jibanananda Das' lyricism is unparalleled in Bengali literature. His early poems are vivid, eloquent celebrations of the beauty of Bengal; his later works, written in the 1940s and 50s, are darker, comments on political issues and current affairs like the Second World War, the Bengal Famine of '43 and Hindu - Muslim riots at the time of Partition. Born in 1899, Jibanananda belonged to a group of poets who tried to shake off Tagore's poetic influence. While he is best known for poetry that reveals a deep love for nature and rural landscapes, tradition and history, Jibanananda is also strikingly urban, and introspective, his work centring on themes of loneliness, depression and death. He was a master of word-images, and his unique poetic idiom drew on tradition but was startlingly new.
A Poet Apart
An introduction to the work, artistic development, and literary world of Jibanananda Das, one of the most quoted poets in both Bangladesh and West Bengal. From the 1930s came the rhapsodic sonnet cycle posthumously published under the title of Bengal the Beautiful, and from the 1940s, poetry that reflected his struggle with the problems of a world at war.
Jibanananda Das
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Naked Lonely Hand
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INDIAN POETRY IN ENGLISH : CRITICAL ESSAYS
Indian poets who wrote in English—a small middle class minority—were divided from the regional language poets by more than language for long. The English poets had a selected readership, were known unto themselves, in academic circles if they were widely published, but were looked down upon with a kind of derision by regional writers. However, the scenario has changed now. From English being spurned as a colonizer’s tongue that was nobody’s language, it has now become everybody’s language with English medium schools, English movies, ads, soaps and serials. For a generation living in a global village, genuine readership and appreciation of English poetry is no longer an encumbrance....
Jibanananda Das
Jibanananda Das was perhaps the most important Bengali poet after Tagore. However, the discovery of his unpublished manuscripts and their posthumous publication from the 1980s has gradually introduced a corpus of some eighty short stories and five novels that far exceeds in volume the original poetic canon, and has opened a new window on the literary career of Jibananda. This volume offers the first ever translation of Jibananandas early short stories, written between 1931-1933 but published only from the 1980s. Selected from the twelve volumes of Jibanananda Shamagra published so far, teh stories are a representative sample of Jibanandanda distinctive and compelling style and f his insistent concern with time, memory, loss, death, marital discord and unemployment.
Modern Indian Literature, an Anthology: Surveys and poems
This Is The First Of Three-Volume Anthology Of Writings In Twenty-Two Indian Languages, Including English, That Intends To Present The Wonderful Diversities Of Themes And Genres Of Indian Literature. This Volume Comprises Representative Specimens Of Poems From Different Languages In English Translation, Along With Perceptive Surveys Of Each Literature During The Period Between 1850 And 1975.
Entangled Fictions
Entangled Fictions: Nonhuman Animals in an Indian World studies the ethical and affective relationships between human and nonhuman animals in Indian fictional worlds. While drawing upon existing theoretical and philosophical texts with nonhumanist underpinnings, Entangled Fictions argues that the corpus is limited epistemologically and politically when it comes to their examinations of the nonhuman in India. Deeply influenced by the political/existential expediencies of our times, the book traverses several genres, shifts from fictional to anecdotal, and transitions from autobiographical to spectra in effort to introduce readers to fictional worlds marked by human-nonhuman fluidity and trans-species contiguity that was imagined and lived much before the telos of human extinction became either a global or local concern.
