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Calle states, "Almost all the works exhibited at Ruiz-Healy Art are examples of my interest in exploring ancient techniques of engraving, some of which fell into disuse. It also shows an interest in machines used in the eighteenth and nineteenth century, such as the iron hand press, or techniques invented in the eighteenth century, such as lithography. The old processes are for me a field of experimentation, when combined with interventions by hand or superimposing technical results from one process to another."
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Explores how one group of Latin American artists express their relationship to American art, history and culture.
Topics include work-integrated learning (internships), student well-being, and students with disabilities. Also,it explores the impact on assessments and academic integrity and what analysis of online systems tells us. Preface ................................................................................................................................ ix Section I: Introduction .................................................. 1 Chapter 1: COVID-19 Emergency Education Policy and Learning Loss: A Comparative Study ............................................................................................................ 3 Athena Vongalis-Macrow, Denise De Souza, Clare Littleton, Anna Sekh...
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One of the master illusionists of late 20th century art, Pedro Friedeberg is enjoying something of a resurgent moment in the second decade of the 21st century. Ever since the 2009 retrospective of his work at the Palacio de Bellas Artes in Mexico City coincided one year later with the definitive critical study on him, authored by James Oles, there has been a noticeable uptick in international critical, collector and museum attention toward his unique oeuvre. This recognition, insofar as it includes the U.S. art intelligentsia, is long overdue, as Friedeberg, who celebrated his 80th birthday at the beginning of this year, is one of the most celebrated living artists in Mexico, and his artistic trajectory, considered as a whole, is nothing short of remarkable.This is a catalogue of the exhibition "Praise of Folly" at Ruiz-Healy Art in San Antonio, Texas.
This comprehensive guide will facilitate scholarly research concerning the history of Christianity in China as well as the wider Sino-Western cultural encounter. It will assist scholars in their search for material on the anthropological, educational, medical, scientific, social, political, and religious dimensions of the missionary presence in China prior to 1950.The guide contains nearly five hundred entries identifying both Roman Catholic and Protestant missionary sending agencies and related religious congregations. Each entry includes the organization's name in English, followed by its Chinese name, country of origin, and denominational affiliation. Special attention has been paid to identifying the many small, lesser-known groups that arrived in China during the early decades of the twentieth century. In addition, a special category of the as yet little-studied indigenous communities of Chinese women has also been included. Multiple indexes enhance the guide's accessibility.
This timely reexamination of the experimental New York print studio Atelier 17 focuses on the women whose work defied gender norms through novel aesthetic forms and techniques.