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A new look at the way in which medieval European literature depicts torture and brutality.
Close examination of the significant theme of other-worldly encounters in Norse myth and legend, including giantesses, monsters and the Dead. A particular, recurring feature of Old Norse myths and legends is an encounter between creatures of This World [gods and human beings] and those of the Other [giants, giantesses, dwarves, prophetesses, monsters and the dead]. Concentrating on cross-gendered encounters, this book analyses these meetings, and the different motifs and situations they encompass, from the consultation of a prophetess by a king or god, to sexual liaisons and return from the dead. It considers the evidence for their pre-Christian origins, discusses how far individual poets and prose writers were free to modify them, and suggests that they survived in medieval Christian society because [like folk-tale] they provide a non-dogmatic way of resolving social and psychological problems connected with growing up, succession from one generation to the next, sexual relationships and bereavement.
The vast and diverse corpus of Old Norse literature preserves the language spoken not only by the Vikings, kings, and heroes of medieval Scandinavia but also by outlaws, missionaries, and farmers. Scholars have long recognized that the wealth of verbal exchanges in Old Norse sagas presents the modern reader with the opportunity to speak face-to-face, as it were, with these great voices of the past. However, despite the importance of verbal exchanges in the sagas, there has been no book-length study of discourse in Old Norse literature since 1935. This book meets the need for such a study by offering a literary analysis based on the adjacent field of pragmatic linguistics, which recognizes th...
This book examines the representation and historical significance of the legendary Scandinavian past as it is depicted in two late medieval Icelandic saga manuscripts: AM 589a–f 4to and AM 586 4to. It situates the manuscripts within their literary, media, and historical contexts to read the legendary sagas (or fornaldarsögur) within them as works of historical writing. The qualities about them that are often used to deny them the label of ‘history ́ — their proximity to romance and ‘folklore’, and their playfully self-conscious narration — are reinterpreted as conscious attempts to reconfigure cultural memory to suit the needs of the manuscripts’ fifteenth-century patrons. Th...
Proposes that Troilus was intended for live performance (by Chaucer himself?) and discusses the use of useless (to readers) words and phrases, the different moods of presentation for each book, and the implications for contemporary studies of the work.
This book addresses the narrative construction of places, the relationship between tradition communities and their environments, the supernatural dimensions of cultural landscapes and wilderness as they are manifested in European folklore and in early literary sources, such as the Old Norse sagas. The first section “Explorations in Place-Lore” discusses cursed and sacred places, churches, graveyards, haunted houses, cemeteries, grave mounds, hill forts, and other tradition dominants in the micro-geography of the Nordic and Baltic countries, both retrospectively and from synchronous perspectives. The supernaturalisation of places appears as a socially embedded set of practices that involv...
An exciting new collection of essays exploring the startling variety of transformations of Old Norse texts, and their legacy in later literary cultures.The "Viking Age" of medieval Scandinavia, with its heathen religion and heroic literature, continues to fascinate readers, writers, students, scholars, poets, artists, and creators of all kinds around the world. This cultural legacy is preserved in Old Norse literature, much of it composed and produced in Iceland, an island with a unique position in relation to the ebb and flow of religions, institutions, and empires. The chapters in this book examine many topics in Old Norse literature: the mysterious personas of the god Odin, the strange or...
First full analysis of the skaldic verse appearing in the family sagas of Icelanders, considering why and how it is deployed.Sagas of Icelanders, also called family sagas, are the best known of the many literary genres that flourished in medieval Iceland, most of them achieving written form during the thirteenth and early fourteenth centuries. Modern readers and critics often praise their apparently realistic descriptions of the lives, loves and feuds of settler families of the first century and a half of Iceland's commonwealth period (c. AD 970-1030), but this ascription of realism fails to account for one of the most important components of these sagas, the abundance of skaldic poetry, mos...
Compared to other areas of medieval literature, the question of masculinity in Old Norse-Icelandic literature has been understudied. This is a neglect which this volume aims to rectify. The essays collected here introduce and analyse a spectrum of masculinities, from the sagas of Icelanders, contemporary sagas, kings' sagas, legendary sagas, chivalric sagas, bishops' sagas, and eddic and skaldic verse, producing a broad and multifaceted understanding of what it means to be masculine in Old Norse-Icelandic texts. A critical introduction places the essays in their scholarly context, providing the reader with a concise orientation in gender studies and the study of masculinities in Old Norse-Ic...