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Understanding José Donoso
Chilean writer José Donoso is one of a handful of authors inevitably mentioned in relationship to the 'boom' in Spanish American literature during the 1960s and 1970s. His name is frequently linked with those of other Latin writers such as García Márquez, Vargas Llosa, Fuentes, Rulfo, and Cortázar. Like his contemporaries, Donoso blends the physical and the psychological in his fiction. The perceptions of his characters are constantly changing. For Donoso, 'reality' is a state of mind always subject to the imagination, and nothing is stable.
José Donoso, the "boom" and Beyond
The work of José Donoso, the renowned Chilean writer of fiction, is surveyed in this volume, which concentrates on his novelistic prodiction up to 1981. Philip Swanson analyses each novel in detail and plots the twin development of narrative technique and existential outlook. He sets this development within its natural context of the "boom" - the remarkable period of innovation initiated in the 1960s by South-American authors such as Cortázar, Fuentes, García Márquez and Vargas Llosa. Swanson also analyzes the progressive breakdown in conventional structural patterns, which stemmed from Donoso's own disintegration of faith in order and existential certainties. The climax of this process was his most successful novel, El obsceno pájaro de la noche (1970). Donoso subsequently moderated such formal complexity in a transition towards resignation and acceptance. But this apparent counter-reaction, as Swanson argues, is not merely a regression to simpler forms, but disruptively subverts realism from within, and points a new way forward after the exhaustion of the experimental explosion of the 1960s and 1970s.
José Donoso
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Curfew
Jose Donoso has created a hauntingly beautiful novel of contemporary Chile and the human condition. Curfew takes place during a twenty-four-hour period in January 1985. Matilde Neruda, widow of the Nobel Prize-winning poet, has just passed away and Chile's various factions rally to turn the event to their advantage. For Pinochet's junta it represents a chance to assert political authority; for the intellectuals who had basked in Neruda's light, it is an opportunity to grab the spoils of the estate.
Jose' Donoso
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The Obscene Bird of Night
This haunting jungle of a novel has been hailed as "a masterpiece" by Luis Bunuel and "one of the great novels not only of Spanish America, but of our time" by Carlos Fuentes. The story of the last member of the aristocratic Azcoitia family, a monstrous mutation protected from the knowledge of his deformity by being surrounded with other freaks as companions, The Obscene Bird of Night is a triumph of imaginative, visionary writing. Its luxuriance, fecundity, horror, and energy will not soon fade from the reader's mind -- Back cover
Studies on the Works of José Donoso
This anthology of critical essays seeks to fill a void which exists in the psycho-social study of Jose Donoso's works. It includes articles such as: Literature as an Exploration of Self; El obsceno p jaro de la noche and the role of the Narrator Agent; and El jarden de al lado: Rewriting the Boom.
José Donoso's House of Fiction
"This volume examines the multiple narrative perspectives Donoso presents and traces a transformation in Donoso's works from complex stage performance to political forum. Studying fiction as grotesque, mannered theater or as a transparent screen through which social and political concerns are scrutinized, Gonzalez Mandri illuminates another constant in Donoso's work: a weaving of feminine and masculine aspects of artistic voice as they incorporate the idioms of drama, radio, film, and television."--BOOK JACKET.
The Garden Next Door
A Chilean writer named Julio and his wife, Gloria, are at a low point in their lives. Constantly bickering, the pair are beset by worries about money, their writing, and their son (who may or may not be plying the oldest profession in Marrakesh). When Julio's boyhood best friend, now a famous artist, lends the couple his luxurious Madrid apartment for the summer, it is an escape for both - but in particular for Julio, who fantasizes about the garden next door and the erotic life of the lovely young aristocratic woman who inhabits it. But Julio's life - and career - unravel In Madrid: he is rebuffed by a famous literary agent, Nuria Monclus, who detests him and his novel; his son's friend from Marrakesh moves in and causes havoc; and Gloria begins to drink. In the face of pitiless adversity, Julio's talent inexorably begins to fade. The garden next door, however, is also Gloria, who has been doing some creating of her own. It is this twist that transforms Donoso's brilliant satire of the writer's life into something even greater: a carefully crafted and bitteily comic meditation on gardens, deceit, and the nature of a writer's muse.
