Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Barlinnie Special Unit
Fifty years ago, a small unit in HM Prison Barlinnie, Glasgow, became a radical experiment whose approach polarised opinion. It encouraged shared decision-making between prisoners and staff, allowed greater access to families and enabled prisoners to explore creative activities. Through the support of visiting artists, and the voices of the prisoners themselves, notably the sculptor Jimmy Boyle (author of A Sense of Freedom), its impact challenged prevailing, disciplinarian prison culture. Arts of various kinds, plus respectful and challenging dialogue, released dormant abilities and strengths in hitherto recalcitrant, formerly violent prisoners. Always controversial, the legacy of the Barli...
Healing Arts
As well as providing an authoritative history of art therapy, it covers such diverse topics as the philosophy of art therapy, the way attitudes to insanity have changed, the role of art therapy in the context of post-war rehabilitation and the treatment of tuberculosis patients, Surrealism, and Britain's first therapeutic community.
Navigating Art Therapy
From Art-making as a Defence to Works of Art, this anthology will help you navigate your way through the ever growing world of art therapy. Art therapy is used in an increasing range of settings and is influenced by a range of disciplines, including psychotherapy, social psychiatry, social work and education. Navigating Art Therapy is an essential companion for both seasoned art therapists and those new to the field as it offers a comprehensive guide to key terms and concepts. With contributions from art therapists around the world, entries cover: forms of interpretation processes of adaptation history of art therapy the inspiration provided by artworks and popular culture This book is an ideal source of reference as the concise, cross-referenced entries enable easy navigation through ideas and terms integral to the discipline. As such, it is invaluable for anyone working in the art therapy field.
Becoming a Profession
Britain was the first country to recognise art therapy as a profession in the state health service. How did this come about? Can the British experience serve as a model for other countries? Originally published in 1991 Becoming a Profession is the first comprehensive history of art therapists in Britain and of their struggle for professional recognition. Diane Waller discusses the work of the founding art therapists of the 1940s and 1950s and assesses their contribution in detail. She also puts art therapy in a political context, showing how the British Association for Art Therapists worked closely with the trade union movement in its campaigns to get professional recognition. Fascinating reading for all practising art therapists, art therapy teachers and students, Becoming a Profession will also be relevant to anyone interested in the formation and development of professions.
Voices in the History of Madness
This book presents new perspectives on the multiplicity of voices in the histories of mental ill-health. In the thirty years since Roy Porter called on historians to lower their gaze so that they might better understand patient-doctor roles in the past, historians have sought to place the voices of previously silent, marginalised and disenfranchised individuals at the heart of their analyses. Today, the development of service-user groups and patient consultations have become an important feature of the debates and planning related to current approaches to prevention, care and treatment. This edited collection of interdisciplinary chapters offers new and innovative perspectives on mental heal...
Jail Journeys
Originally published in 1989, Jail Journeys was a contemporary history of the English prison system in the words of those who had endured it as prisoners or who had worked within it. More than 1000 extracts from more than 150 first-hand accounts of life ‘inside’ chronicle the empty routines of the prison day and tell of the loneliness, the despair, the squalor, the fights, the friendships, the sex, the humour. There are also eye-witness accounts of the Dartmoor Mutiny, of hangings and floggings, of escapes, and personal statements by the well-known – James Phelan, Wilfred Macartney, Albert Pierrepoint, Charles Kray, John McVicar, Jimmy Boyle, Alfie Hinds, Lord Alfred Douglas – and by many others less well known. These testimonies, by turn dramatic, literate and naïve, add up to an implicit sociology of the twentieth-century English prison, depicting a divided social structure with ‘screws’ on one side and ‘cons’ on the other. The book is aimed at anyone with an interest in social issues and twentieth-century history as well as students of law, history, sociology, criminology, and social administration, and at professionals working in all these fields.
Can Prisons Work?
Duguid shows that both critics and defenders of incarceration have erred by making prisoners the object rather than the subject of their discourse.
