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Charles Quint
  • Language: fr
  • Pages: 845

Charles Quint

  • Type: Book
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  • Published: 2022-01-20
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  • Publisher: Perrin

"La" biographie de Charles Quint. Cette nouvelle biographie redonne sa juste place au plus grand adversaire de François 1er. Les historiographies nationales ont souvent négligé le " phénomène européen " qu'incarne cet empereur polyglotte, né aux Pays-Bas, héritier de la couronne d'Espagne puis du Saint Empire romain germanique. En 1520, le chancelier Gattinara saluait pourtant l'élection impériale comme providentielle et prévoyait la " monarchie universelle ", mythe sur lequel reposa la complexité de la stratégie géopolitique de Charles Quint. Son projet impérial témoigne d'un ambitieux programme d'unification rationnelle des territoires dans un contexte de grande tension pol...

Dissimulation and the Culture of Secrecy in Early Modern Europe
  • Language: en
  • Pages: 306

Dissimulation and the Culture of Secrecy in Early Modern Europe

"Larvatus prodeo," announced René Descartes at the beginning of the seventeenth century: "I come forward, masked." Deliberately disguising or silencing their most intimate thoughts and emotions, many early modern Europeans besides Descartes-princes, courtiers, aristocrats and commoners alike-chose to practice the shadowy art of dissimulation. For men and women who could not risk revealing their inner lives to those around them, this art of incommunicativity was crucial, both personally and politically. Many writers and intellectuals sought to explain, expose, justify, or condemn the emergence of this new culture of secrecy, and from Naples to the Netherlands controversy swirled for two cent...

Reason and Experience in Renaissance Italy
  • Language: en
  • Pages: 371

Reason and Experience in Renaissance Italy

A wide ranging survey of the political principles which underlay, or were used to justify, political proposals and decisions in Renaissance Italy.

Hafsids and Habsburgs in the Early Modern Mediterranean
  • Language: en
  • Pages: 330

Hafsids and Habsburgs in the Early Modern Mediterranean

This book explores an anonymous sixteenth-century portrait of Muley al-Hassan, the Hafsid king of Tunis (ca. 1528–1550), that bears witness to relations between North Africa, the Habsburgs, and the Ottomans. While Muley al-Hassan appears frequently in the vast literature on Charles V Habsburg, he is overshadowed by the emperor. Here he emerges as a protagonist, a figure whose shifting reputation can be traced well into the seventeenth century. Images of the King of Tunis circulated in broadsheets, ephemeral images made for triumphal entries, manuscripts, tapestry designs, engravings, and books. The ceaseless production of Tunisian imagery allowed Europeans to face their North African counterparts through scenes of battle but also through imaginary encounters and festive cross-dressing. This book shows how portraits of Hafsid rulers challenge assumptions about the absolute divide between Christian and Muslim, sovereign and subject, the familiar and the foreign, and they put a face on the entangled histories of the early modern Mediterranean.

The Burdens of Empire
  • Language: en
  • Pages: 305

The Burdens of Empire

The entire course of modern Western history has been shaped by the rise and fall of the great European empires. The Burdens of Empire examines different aspects of this long history, focusing on how political theorists, jurists, historians and others sought to explain what an empire is and to justify its very existence.

Charles Quint, maître du monde
  • Language: fr
  • Pages: 300

Charles Quint, maître du monde

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Rhetorical Renaissance
  • Language: en
  • Pages: 207

Rhetorical Renaissance

Kathy Eden reveals the unexplored classical rhetorical theory at the heart of iconic Renaissance literary works. Kathy Eden explores the intersection of early modern literary theory and practice. She considers the rebirth of the rhetorical art—resulting from the rediscovery of complete manuscripts of high-profile ancient texts about rhetoric by Plato, Aristotle, Cicero, Quintilian, and Tacitus, all unavailable before the early fifteenth century—and the impact of this art on early modern European literary production. This profound influence of key principles and practices on the most widely taught early modern literary texts remains largely and surprisingly unexplored. Devoting four chapt...

Empire and Power in the Reign of Süleyman
  • Language: en
  • Pages: 313

Empire and Power in the Reign of Süleyman

A revisionist reading of Ottoman history during the reign of Süleyman the Magnificent (1520-66), examining the life of a bureaucrat, Celalzade Mustafa.

Nature in the Middle Ages and the Early Modern Times
  • Language: en
  • Pages: 583

Nature in the Middle Ages and the Early Modern Times

The study of pre-modern anthropology requires the close examination of the relationship between nature and human society, which has been both precarious and threatening as well as productive, soothing, inviting, and pleasurable. Much depends on the specific circumstances, as the works by philosophers, theologians, poets, artists, and medical practitioners have regularly demonstrated. It would not be good enough, as previous scholarship has commonly done, to examine simply what the various writers or artists had to say about nature. While modern scientists consider just the hard-core data of the objective world, cultural historians and literary scholars endeavor to comprehend the deeper meani...

Art as Politics in Late Medieval and Renaissance Siena
  • Language: en
  • Pages: 421

Art as Politics in Late Medieval and Renaissance Siena

  • Categories: Art
  • Type: Book
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  • Published: 2017-07-05
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  • Publisher: Routledge

In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.