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Peter Coker
Published in conjunction with Piano Nobile exhibition Peter Coker: Mind and Matter, this fully illustrated, 67-page catalogue complements this comprehensive exhibition tracing the development of one of the foremost British artists of the twentieth century. Featuring catalogue entries which draw on new research and Piano Nobile's extensive experience handling Coker's work, it is the fourth publication dedicated to this artist of great intellect and instinct. Exhibition: Piano Nobile, London, UK (05.04.-09.05.2017).
Coldstream Uglow
Published to accompany the exhibition at Piano Nobile, William Coldstream | Euan Uglow: Daisies and Nudes is a fully illustrated publication examining for the first time the unique relationship between William Coldstream and Euan Uglow. Uglow studied under Coldstream initially at Camberwell and then at the Slade where Coldstream was Professor from 1949. Even amongst a young group of exceptional painters including Craigie Aitchison, Michael Andrews and Howard Hodgkin, Uglow was immediately recognised as a precocious talent. The relationship of teacher and student evolved from friendship into one of mutual influence and sustained inter-generational artistic dialogue. Working with restraint and...
John Armstrong
Fully illustrated catalogue on Surrealist painter John Armstrong A.R.A., member of Unit One, and pre-eminent inter-war and post-war British artist.
Trustworthy Communications and Complete Genealogies
Genealogies document relationships between persons involved in historical events. Information about the events is parsed from communications from the past. This book explores a way to organize information from multiple communications into a trustworthy representation of a genealogical history of the modern world. The approach defines metrics for evaluating the consistency, correctness, closure, connectivity, completeness, and coherence of a genealogy. The metrics are evaluated using a 312,000-person research genealogy that explores the common ancestors of the royal families of Europe. A major result is that completeness is defined by a genealogy symmetry property driven by two exponential pr...
Constitutional Revolutions
DIVRethinks constitutional jurisprudence from a postmodern perspective, attempting to integrate a Kuhnian approach to intellectual transformations with a Rawlsian pragmatic approach to decision making./div
Gluck
Hannah Gluckstein (who called herself Gluck; 1895–1976) was a distinctive, original voice in the early evolution of modern art in Britain. This handsome book presents a major reassessment of Gluck's life and work, examining, among other things, the artist's numerous personal relationships and contemporary notions of gender and social history. Gluck's paintings comprise a full range of artistic genres—still life, landscape, portraiture—as well as images of popular entertainers. Financially independent and somewhat freed from social convention, Gluck highlighted her sexual identity, cutting her hair short and dressing as a man, and the artist is known for a powerful series of self-portraits that played with conventions of masculinity and femininity. Richly illustrated, this volume is a timely and significant contribution to gender studies and to the understanding of a complex and important modern painter.
Three Generous Generations
Julius Freyhan (1830-1904) was born in Breslau, Germany. He emigrated in 1851 and settled in Louisiana. He married Sarah Wolf (1853-1932), daughter of Jacob Wolf and Johanna Levy, 3 May 1876 in New Orleans, Louisiana. They had five children. Includes Friedman, Odenheimer, Seidel, Sidney and related families.
Art and Masculinity in Post-War Britain
In this book, Gregory Salter traces how artists represented home and masculinities in the period of social and personal reconstruction after the Second World War in Britain. Salter considers home as an unstable entity at this historical moment, imbued with the optimism and hopes of post-war recovery while continuing to resonate with the memories and traumas of wartime. Artists examined in the book include John Bratby, Francis Bacon, Keith Vaughan, Francis Newton Souza and Victor Pasmore. Case studies featured range from the nuclear family and the body, to the nation. Combined, they present an argument that art enables an understanding of post-war reconstruction as a temporally unstable, long-term phenomenon which placed conceptions of home and masculinity at the heart of its aims. Art and Masculinity in Post-War Britain sheds new light on how the fluid concepts of society, nation, masculinity and home interacted and influenced each other at this critical period in history and will be of interest to anyone studying art history, anthropology, sociology, history and cultural and heritage studies.
