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Jörg Immendorff
One of the leading figures of the new German Expressionism, along with George Baselitz and Anselm Keifer, Jörg Immendorffs work first came to international prominence in the 1970s. Having studied with Joseph Beuys in the 1960s, Immendorff approached painting through a conceptualist stand-point; his works deal largely with the crisis of post-war German identity, a frenetic relationship with modernity, and a deep rooted faith in the role of the artist as an integral political and social force. This book focuses on Immendorffs works on paper, a hitherto overlooked area of his oeuvre, but one that is crucial to an understanding of the artists work. They give evidence of a creative history during the course of which the artist repeatedly reconceived, analysed and altered his position.
Stabilizers for Photographic Silver Halide Emulsions: Progress in Chemistry and Application
Stability is one of the most important performances required for silver halide photographic materials. In 1935, Dr. E. 1. Birr introduced the concept of the stabilization ofphotographic emulsions for the first time by inventing a most effective stabilizer, 4-oxo-6-methyl-l,3,3a,7-tetraazaindene (TAl). Dr. Birr's monograph Stabilization ofPhotographic Silver Halide Emulsions was published in 1974,and accepted as a reliable reference book by many photographic scientists and engineers. Since then, silver halide photographic materials have been greatly improved and expanded through active and continual development of various kinds of technologies. Especially, extensive efforts have been made to ...
