Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Nimrods
In this edgy and unconventional memoir, Kawika Guillermo reflects on being a newly minted professor, fatherood, alcoholism, and suicidal ideation as well as his many attempts to flee from American gender, racial, and religious norms.
Stamped
Exasperated by the small-minded tyranny of his hometown, Skyler Faralan travels to Southeast Asia with $500 and a death wish. After months of wandering, he crosses paths with other dejected travelers: Sophea, a short-fused NGO worker; Arthur, a brazen expat abandoned by his wife and son; and Winston, a defiant intellectual exile. Bound by pleasure-fueled self-destruction, the group flounders from one Asian city to another, confronting the mixture of grief, betrayal, and discrimination that caused them to travel in the first place. "Guillermo tells the stories of American expatriates seeking to lose or remake themselves in the far-flung corners of Asia. His narrative voice-steady, visual, and...
All Flowers Bloom
"A defiant and tender call for the power of love, across a thousand lifetimes and lands. Guillermo's imagination is breath-taking, and he shows the power of the written word as at once the most high-fidelity and stylized of mediums." -Ken Liu, author of The Paper Menagerie and Other Stories and The Grace of Kings "Kawika Guillermo has achieved an ambitious feat: to chronicle a memory-and its vast empire of battles and love, constant guises and surprises-that spans over four thousand years through a narrator who, like the beloved, is blessed, or cursed, with hundreds of lives, each rebirth announcing a different milieu, a different role. At its core, All Flowers Bloom is a lover's discourse o...
Magdaragat
Since first arriving in Canada, the Filipino community has contributed invaluably — and too often invisibly — to the fabric of Canadian society. In this anthology of Filipino-Canadian writing, Magdaragat explores the diverse intricacies of this growing yet underrepresented people, continuing the vital work of recognizing and celebrating their cultural contributions. Writers in this anthology, hailing from across Turtle Island, each provide their singular yet universally resonating insights through stories of new homes and old homelands, of untangling internalized racism and championing solidarity, of the chasms within intergenerational households and the work of repairing them, and more. Poems, essays, short fiction, plays, and speeches — their works collected here showcase a wide breadth of Filipino-Canadian experience. Through stories of sacrifice, violence, and discrimination interspersed with stories of success, recovery, and solidarity, Magdaragat delves into Filipino-Canadian history, the joys and struggles of its present, and the hopes and aspirations for the future.
Marked by Scorn
A collection of stories and poems that explore the experiences of people in nontraditional family roles and in different cultures.
Transitive Cultures
Texts written by Southeast Asian migrants have often been read, taught, and studied under the label of multicultural literature. But what if the ideology of multiculturalism—with its emphasis on authenticity and identifiable cultural difference—is precisely what this literature resists? Transitive Cultures offers a new perspective on transpacific Anglophone literature, revealing how these chameleonic writers enact a variety of hybrid, transnational identities and intimacies. Examining literature from Malaysia, Singapore, and the Philippines, as well as from Southeast Asian migrants in Canada, Hawaii, and the U.S. mainland, this book considers how these authors use English strategically, as a means for building interethnic alliances and critiquing ruling power structures in both Southeast Asia and North America. Uncovering a wealth of texts from queer migrants, those who resist ethnic stereotypes, and those who feel few ties to their ostensible homelands, Transitive Cultures challenges conventional expectations regarding diaspora and minority writers.
Sea Is Ours
Steampunk takes on Southeast Asia in this anthology The stories in this collection merge technological wonder with the everyday. Children upgrade their fighting spiders with armor, and toymakers create punchcard-driven marionettes. Large fish lumber across the skies, while boat people find a new home on the edge of a different dimension. Technology and tradition meld as the people adapt to the changing forces of their world. The Sea Is Ours is an exciting new anthology that features stories infused with the spirits of Southeast Asia's diverse peoples, legends, and geography.
Asian American Fiction After 1965
After the 1965 Immigration and Nationality Act loosened discriminatory restrictions, people from Northeast Asian countries such as South Korea, Taiwan, Japan, and eventually China immigrated to the United States in large numbers. Highly skilled Asian immigrants flocked to professional-managerial occupations, especially in science, technology, engineering, and math. Asian American literature is now overwhelmingly defined by this generation’s children, who often struggled with parental and social expectations that they would pursue lucrative careers on their way to becoming writers. Christopher T. Fan offers a new way to understand Asian American fiction through the lens of the class and rac...
Duran Duran, Imelda Marcos, and Me
A graphic memoir about growing up in the Philippines in the 1980s with Depeche Mode, Duran Duran, Imelda Marcos and the EDSA Revolution.When she learns of her beloved father's fatal car accident, Mapa flies to Manila to attend his funeral. His sudden death sparks childhood memories. Weaving the past with the present, Mapa entertains with stories about religion, pop culture, adolescence, social class and politics, including her experiences of the 1986 People Power Revolution which made headlines around the world. It is a love letter to her parents, family, friends, country of birth, and in the end, perhaps even to herself.
