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This introduction to the imaginative world of the Mexica (or Aztec) explores sacrifice in the richly textured life of 16th-century Mexico. Kay Almere Read describes a universe in which every object was timed by a given lifespan and in which sacrifice was the mechanism by which time functioned. This book makes a convincing case for what sacrifice meant religiously and for how it came to be that human sacrifice of staggering proportions could be accepted, matter-of-factly, by the Mexica people.
Illustrated with scores of drawings and halftone photos, this guidebook to the mythology of Mexico and Central America focuses mainly on Mexican Highland and Maya areas, due to their importance in Mesoamerican history.
Myths: tales of creation and destruction, death and rebirth, gods and heroes, the sacred origins of peoples, the forces of nature. Each society's mythology is unique, echoing throughout its arts and beliefs. Handbooks of World Mythology explore these mythologies in depth, offering insight into the complex interrelations of myth, history, and culture. Designed for general readers and students, each illustrated handbook offers: A lengthy overview that introduces the reader to the evolution of the culture's belief system; A chronology that clarifies the working and purpose of time and mythic time within the culture; A-to-Z entries that address major deities, characters, themes, rituals, and bel...
*Includes pictures *Includes a bibliography for further reading Gilgamesh, Hercules, Aeneas, and Lancelot are instantly recognized as mythological heroes in the West, evoking visions of Persian monsters, ghastly labors, and the founding and glorification of cities, but the name Quetzalcoatl is as mysterious as its spelling. Even those who have come across his name when learning about the history of Mesoamerica - particularly the Aztec and the god's role in the Spanish conquest of their empire - are often unaware that the Mesoamerican deity has tales that equal any of those in the repertoire of the mythological figures mentioned above, and the tale of his transmission into modern times is no ...
Award-winning author and illustrator Duncan Tonatiuh brings an ancient Mesoamerican creation myth to life Long ago, the gods of Mesoamerica set out to create humans. They tried many times during each sun, or age. When all their attempts failed and the gods grew tired, only one did not give up: Quetzalcóatl—the Feathered Serpent. To continue, he first had to retrieve the sacred bones of creation guarded by Mictlantecuhtli, lord of the underworld. Gathering his staff, shield, cloak, and shell ornament for good luck, Feathered Serpent embarked on the dangerous quest to create humankind. Award-winning author and illustrator Duncan Tonatiuh brings to life the story of Feathered Serpent, one of the most important deities in ancient Mesoamerica. With his instantly recognizable, acclaimed art style and grand storytelling, Tonatiuh recounts a thrilling creation tale of epic proportions.
What religion does not serve as a theater of tears? Holy Tears addresses this all but universal phenomenon with passion and precision, ranging from Mycenaean Greece up through the tragedy of 9/11. Sixteen authors, including many leading voices in the study of religion, offer essays on specific topics in religious weeping while also considering broader issues such as gender, memory, physiology, and spontaneity. A comprehensive, elegantly written introduction offers a key to these topics. Given the pervasiveness of its theme, it is remarkable that this book is the first of its kind--and it is long overdue. The essays ask such questions as: Is religious weeping primal or culturally constructed?...
At an excavation of the Great Aztec Temple in Mexico City, amid carvings of skulls and a dismembered warrior goddess, David Carrasco stood before a container filled with the decorated bones of infants and children. It was the site of a massive human sacrifice, and for Carrasco the center of fiercely provocative questions: If ritual violence against humans was a profound necessity for the Aztecs in their capital city, is it central to the construction of social order and the authority of city states? Is civilization built on violence? In City of Sacrifice,Carrasco chronicles the fascinating story of Tenochtitlan, the Aztec capital, investigating Aztec religious practices and demonstrating tha...
When Cortes and his battle-weary Spanish soldiers first gazed on the Aztec capital Tenochtitlan in 1519, they viewed the amazing culmination of 3,000 years of continuous cultural development. Aztec and Maya cities, temples, and palaces were in some ways like those found in Mesopotamia and Egypt: civilizations that had developed in isolation, free of outside influences. Here are the legends and stories of these two unique, ancient cultures.
Existing textbooks on international relations treat history in a cursory fashion and perpetuate a Euro-centric perspective. This textbook pioneers a new approach by historicizing the material traditionally taught in International Relations courses, and by explicitly focusing on non-European cases, debates and issues. The volume is divided into three parts. The first part focuses on the international systems that traditionally existed in Europe, East Asia, pre-Columbian Central and South America, Africa and Polynesia. The second part discusses the ways in which these international systems were brought into contact with each other through the agency of Mongols in Central Asia, Arabs in the Med...