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Marking Time
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Test Record for Kirsten 16
The story of a fake book looking to be checked out.
Sleight
Glass Bead Game meets Black Swan.
The Dottery
Winner of the 2013 Donald Hall Prize in Poetry The Dottery is a tale of dotters before they are born. In this series of prose poems you meet their would-be-mutters, the buoys they will know, their inner warden, and the mutterers who cannot have them. The Dottery itself is a sort-of pre-purgatory, a finishing school for the fetal feminine. The five sections correspond to the conceptual set-ups interrogated within. In "wound," The Dottery is described, as are its inhabitants and their difficulties. In "Dual," a gender binary is introduced and (hopefully) eviscerated. "Triage" establishes the issues that plague both the dotters and those who would bring them out into the world—specifically into the idea of America (I'm Erica and I can prefer a hummer to the rose parade"). In "Fear," failed dotters (out in the world) are described in obit fashion. Finally, in "Thief" one mutterer recounts how she stole her dotter ("a snatched piece") to become a mutter and chronicles both her desires and regrets.
Explain This Corpse
Winner of the Blue Lynx Prize for Poetry "Sophisticated and cerebral gymnastics of language sway with gravity through the poems and poetic sequences of Explain This Corpse. Throughout, Kirsten Kaschock's gestures are contemporary, jagged, and stop-start, wonderfully torqued and rippling with unexpected flights, breaks, and drops. After centuries of literary glamourizing of young, dead heroines, this poet declares a preference for survival, including its inevitable toll of aging, toward a more practical and elemental transcendence. These poems show us an extension and evolution of the legacy of Hopkins and Berryman--a sort of sprung verse for the twenty-first century, an urgent engagement with the world so obliquely signaled here."--Carolyne Wright, final judge, Blue Lynx Prize 2019
Unfathoms
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The Wavering Knife
Brian Evenson's fifth story collection constructs a human landscape as unearthly as it is mundane. Replete with the brutality, primordial waste, and savage blankness familiar to readers of his earlier works, Evenson's Kafkaesque allegories entice the mind while stubbornly disordering it. In the title story an obsessive consciousness folds back on itself, creating a vertiginous m lange of Poe and Borges, both horrific and metaphysical. Here, as in "Moran's Mexico," and "Greenhouse," the solitary nature of reading and writing leads characters beyond human limits, making the act of putting words to paper a monstrous violation opening onto madness. In "White Square" the representation of humans ...
Hijikata Tatsumi and Ohno Kazuo
Part of the "Routledge Performance Practitioners" series, this book deals with the contribution of two of modern theatre's most charismatic innovators. Including a glossary of English and Japanese terms, it presents an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno.
Fat Girl, Terrestrial
Not only the story of a colossus of a woman living in Kansas, Fat Girl, Terrestrial is also a meditation on God, treachery, and blind love. In Kingdom Come, Kansas, a town from which children once mysteriously disappeared, there lives a giant woman. Wallis Armstrong is not a pituitary mutant or a person battling a rare medical condition; she’s just an improbably large woman ill at ease in a world built for shrimps. Paradoxically, Wallis builds miniatures of crime scenes, and her specialty is staged suicides. She constructed her first diorama as a child when a boy in her fourth-grade class went suddenly missing. Wallis’s brother, Obie, believes the only explanation for his sister’s ampl...
Two Regimes of Madness
Texts and interviews from the period that saw the publication of Deleuze's major works.
