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More than half a century after the Holocaust, in countries where Jews make up just a tiny fraction of the population, products of Jewish culture (or what is perceived as Jewish culture) have become very viable components of the popular public domain. But how can there be a visible and growing Jewish presence in Europe, without the significant presence of Jews? Ruth Ellen Gruber explores this phenomenon, traveling through Germany, Poland, the Czech Republic, Austria, Italy, and elsewhere to observe firsthand the many facets of a remarkable trend. Across the continent, Jewish festivals, performances, publications, and study programs abound. Jewish museums have opened by the dozen, and synagogu...
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In The Jewish Museum: History and Memory, Identity and Art from Vienna to the Bezalel National Museum, Jerusalem Natalia Berger traces the history of the Jewish museum in its various manifestations in Central Europe, notably in Vienna, Prague and Budapest, up to the establishment of the Bezalel National Museum in Jerusalem. Accordingly, the book scrutinizes collections and exhibitions and broadens our understanding of the different ways that Jewish individuals and communities sought to map their history, culture and art. It is the comparative method that sheds light on each of the museums, and on the processes that initiated the transition from collection and research to assembling a type of collection that would serve to inspire new art.
Deals, also, with antisemitism in Czechoslovakia, East Germany, Hungary, Poland, and Romania, in both the communist and post-communist periods. See the index under "Anti-Semitism."
A collection of sixty-seven tales, legends, and fables from Jewish folklore.
A collection of sixty-seven tales, legends, and fables from Jewish folklore.
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“Recalling the diaries of . . . Anne Frank, Ginz’s diaries reveal a budding Czech literary and artistic genius whose life was cut short by the Nazis.” —International Herald Tribune Not since Anne Frank’s The Diary of a Young Girl has such an intimately candid, deeply affecting account of a childhood compromised by Nazi tyranny come to light. As a fourteen-year-old Jewish boy living in Prague in the early 1940s, Petr Ginz dutifully kept a diary that captured the increasingly precarious texture of daily life. His stunningly mature paintings, drawings, and writings reflect his insatiable appetite for learning and experience and openly display his growing artistic and literary genius. ...
A retelling of many familiar stories from the Old and New Testaments.