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Tlacuilx
"Tlacuilx: Tongues in Quarantine" is the first volume of poetry created by the members of Project 1521. Project 1521 is a collaboration between L.A. based artist Sandy Rodriguez, writer poet/journalist Adolfo Guzman-Lopez and several LA-based poets. The collaboration was inspired by Indigenous perspectives on the Spanish invasion and the 500 years since the fall of the Aztec Empire in 1521. The group has performed works at the Pasadena LitFest, Beyond Baroque in 2019, the exhibition titled You Will Not Be Forgotten at the Charlie James Gallery, and the Tongues In Quarantine Virtual Poetry Brunch.
Tlacuilx
Tlacuilix: Tongues In Quarantine is the first book by Project 1521, a group of Southern California writers, scholars, and an artist. The collection of poetry and prose centers the experience of people who have endured family separations, colonialism, and institutional violence and have responded through cultural affirmation and various forms of resistance. It features the related paintings of Sandy Rodriguez. Project 1521 writers created new text in response to original artworks by Sandy Rodriguez and drew inspiration in the Florentine Codex; studied and wrote about how the content echoed the pain and resistance in today's social justice movements. The Codex is a monumental history of the Indigenous people of central Mexico made in the aftermath of the Spanish conquest of the Aztecs in 1521. In 1576, the Indigenous scribes and artists finishing the Codex sequestered to survive a raging plague. Project 1521 sequestered through the 2020-2021 COVID-19 global pandemic and wrote about Central American migrants, immigration, genocide, police brutality, and the remnants of colonialism in Latin America and beyond.
Linda Montano
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Amalia Mesa-Bains
"Amalia Mesa-Bains: Archaeology of Memory is the first retrospective exhibition of the work of longtime Bay Area artist Mesa-Bains. Presenting work from the entirety of her career for the first time, this exhibition, which features nearly 60 works in a range of media, including fourteen major installations, celebrates Mesa-Bains's important contributions to the field of contemporary art locally and globally. For over forty-five years, Mesa-Bains has worked to bring Chicana art into the broader American field of contemporary art through innovations of sacred forms such as altares (home altars), ofrendas (offerings to the dead), descansos (roadside resting places), and capillas (home yard shri...
The Essential June Jordan
The definitive introduction to the work of 'the bravest of us . . . the universal poet' (Alice Walker) For the poet and activist June Jordan, neither poetry nor activism could easily be disentangled from the other. Her storied career came to chronicle a living, breathing history of the struggles that defined the USA in the latter half of the twentieth century; and her poetry, accordingly, put its dazzling stylistic range to use in exploring issues of gender, race, immigration, representation and much else besides. Here, above all, are sinuous, lashing and passionate lines, virtuosic in their musicality and always bearing the stamp of Jordan's irrepressible personality. Here are poems of suff...
Electrical Measurement, Signal Processing, and Displays
The CRC Principles and Applications in Engineering series is a library of convenient, economical references sharply focused on particular engineering topics and subspecialties. Each volume in the series comprises chapters carefully selected from CRC's bestselling handbooks, logically organized for optimum convenience, and thoughtfully priced to fit
The Music Division
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Hennen's Choice
A genealogy and some biographical sketches of the descendants of Matthew Hennen born 21 Nov 1752 in the Province of Ulster, Ireland. His will was written 15 Jan 1834 and probated 6 Jan 1840 in Greene County, Pennsylvania.
The Sunflower Cast a Spell to Save Us from the Void
Jackie Wang's magnetic and spellbinding debut collection of poetry that attempts to speak in the language of dreams.In The Sunflower, Wang follows the sunflower's many dream guises-its evolving symbolism in literature, society, and the author's own dream life using a mathopoetic technique to generate poems using the Fibonacci sequence (a pattern found in the seed spirals of sunflower). The Sunflower Cast a Spell to Save Us from the Void embodies what Wang calls oneiric poetry: a poetry that attempts to speak in the language of dreams. Although dreams, in psychoanalytic discourse, have been conceptualized as a window into the unconscious, Wang's poetry emphasizes the social dimension of dreams, particularly the use of dreams to index historical trauma and social processes.
