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Laura White
"Ideas are explored around the physical relationship to images, where image and object are dissolved into one another in creating a haptic experience"--Publisher.
British Art Show 7
Lisa Le Feuvre and Tom Morton have selected 39 artists on the grounds of their significant contribution to contemporary art in the last five years. All artworks included have been produced since 2005 and encompass sculpture, painting, installation, drawing, photography, film, video and performance.
Chris Burden
None
Creative Legacies
Creative Legacies is an in-depth guide to practical, legal, and financial considerations and best-practice for artists' estates. Beyond simply offering advice for effective legacy management, the book seeks a nuanced investigation of specific topics relevant to artists' legacy. What is an artist's legacy? Should artists' estates be maintained in perpetuity or permitted to sunset? How do younger artists engage with estate planning today? How do we ensure the legacies of jewelers, architects, and artists working with ephemeral materials or whose work is entirely site-specific? For all artists and their estates, art-market professionals and students of the art market, Creative Legacies offers vital answers to these fascinating and often complex questions of artistic legacy.
Rana Begum
Blurring the boundaries between sculpture, architecture, design and painting, the innovative practice of Rana Begum RA (b.1977) is the subject of this comprehensive monograph, which takes her processes as its focus.
Hubs and Fictions
Hubs and Fictions, originally a touring forum, invited international curators, writers, and producers to probe how fiction plays out in a globally distributed art-world ecology, and how infrastructures are invented against its background. In 2012, the forum was staged sequentially at Cooper Gallery (Dundee), Baltic Centre for Contemporary Art (Gateshead), Goldsmiths University of London, and operated as a satellite event to Edgar Schmitz's exhibition "Surplus Cameo Decor," curated by Sophia Yadong Hao at Cooper Gallery. The book functions as a deliberately discontinuous reader; it juxtaposes documents, negotiations, and reflections from and on these conversations. The publication also includes a preface by Andrea Phillips, a new image sequence by Schmitz, and a suite of reflexive annotations exchanged between Hao and Schmitz. Contributors Tobias Berger, Guy Brett, Simon Groom, Sophia Yadong Hao, Lisa Le Feuvre, Ma Lin, Markus Miessen and Federica Bueti, Tom Morton, Vanessa Joan Müller, Wang Nanming, Paul O'Neill, Edgar Schmitz, Gemma Sharpe
Nathan Coley
Nathan Coley (*1967 in Glasgow) is interested in the idea of "public" space, and his practice explores the ways in which architecture becomes invested-and reinvested-with meaning. Across a range of media Coley investigates what the built environment reveals about the people it surrounds and how the social and individual response to it is in turn culturally conditioned. Using the readymade as a means to take from and re-place in the world, Coley addresses the ritual forms we use to articulate our beliefs-from hand-held placards and erected signs to religious sanctuaries. Whether highlighting in illuminated letters the testimony of a New Yorker recalling the World Trade Center attacks or erasing the names of the dead from their gravestones, his work frequently turns the specific into the general, thereby testing its function as a form of social representation; simply, does this aphorism, this gravestone, this building, speak on my behalf?
The Mother of All Journeys
Inspired by the memories of his mother, originally told to Dinu Li as childhood bed-time stories, the book traces, through photographs and personal quotes, the story of a woman born in rural China and her escape to a new life via Hong Kong and eventually the industrial north of England. Li's photographs tease out moments in time, from 1920s China, mid 50s Hong Kong through its transition from fishing village to metropolis under British administration and finally ends in 1970s Britain at a time of strikes and de-industrialisation, through to the millennium.
Michael Dean
None
