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Dans la foulée des événements qui ont souligné le 50e anniversaire de l’École d’art, cet ouvrage retrace l’histoire de cette véritable institution dans le paysage des arts, de l’enseignement, de la recherche, de la création et de la ville de Québec.
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts community, a number of whom would shape the history of art in Canada. Expanding on a solo exhibition of Szilasi's photographs that took place at the McCord Museum in 2017, the book features three essays, an interview, and over one hundred images that capture, with characteristic candour, perspicacity, and wit, some of the ra...
By the mid-1950s, young Montreal artists were turning their backs on the surrealist spontaneity of the Automatistes. Painting in Montreal paralleled the New York pattern of following the "hot" of abstract expression with the "cool" of post-painterly abstraction. But Montreal produced a late modernist practice markedly distinct and independent from New York's -- a movement known as the Plasticiens. Sumptuously illustrated, this volume features 75 paintings by Louis Belzile, Charles Gagnon, Yves Gaucher, Jean Goguen, Jauran (Rodolphe de Repentigny), Jean-Paul Jérôme, Denis Juneau, Fernand Leduc, Guido Molinari, Fernand Toupin, and Claude Tousignant.