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A Companion to the Early Modern Cardinal is the first comprehensive overview of its subject in English or any language. Cardinals are best known as the pope’s electors, but in the centuries from 1400 to 1800 they were so much more: pastors, inquisitors, diplomats, bureaucrats, statesmen, saints; entrepreneurs and investors; patrons of the arts, of music, literature, and science. Thirty-five essays explain their social background, positions and roles in Rome and beyond, and what they meant for wider society. This volume shows the impact which those men who took up the purple had in their respective fields and how their tenure of office shaped the entangled histories of Rome and the Catholic Church from a European and global perspective.
The core of this history involves the enormous number of documents on musicians and musical patronage recovered in Milanese archives and elsewhere during the course of our research. This evidence bears on the performing organizations of the court chapel and the biscantori of the Duomo, polyphonic sources of both sacred and secular music, the monophonic observance of the liturgy, the recruitment of singers, circumstances and working conditions, requirements of clients, demands and preferences of patrons, the tangled process of the procurement of benefices, jailing, and even espionage. It pertains to the biographies and activities of musicians, including the most influential composer of the la...
Offers unparalleled insight into the function of music in worship, ritual and society in late medieval Europe.
A great deal of research over the past forty years has had an impact Josquin's music: most of his works are now available in high-quality recordings that make them easily familiar to any researcher, and the main sources have been far more thoroughly explored. Furthermore, new biographical findings, particularly within the last ten years, have shown that much of what was written about Josquin's life was based on documents that concerned other people entirely. For example, Josquin's birthdate has been advanced by more than ten years, with major consequences for our view not only of his music and its chronology, but also of most other music of the time. This book assembles and assesses the newly available material. It builds the main works into the narrative of Josquin's life. Appendices include a critical listing of the documents about Josquin, a summary of later literary references to him, summaries of the relevant information about the main figures mentioned in the book, a list of other musicians at the time named 'Josquin' or something similar (35 of them ), and much more.
The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical des...
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The Josquin Companion presents both the scholarly and general reader with the most complete and concentrated discussion ever published in English on the music of Josquin des Prez (c.1450-1521) - the greatest composer of the late fifteenth and early sixteenth centuries. Not a standard, single-author life and works, the volume provides a basic survey of Josquin's music and of the many problems which attend it. Through a collaborative effort of distinguished scholars, it takes into account the most recent research on Josquin. Beginning with a summary of the latest developments in the composer's constantly-changing biography and a discussion of his stature as a great man then and now, the Compan...
A comprehensive, ongoing guide to publications on music from all over the world, with abstracts written in English. All scholarly works are included: articles, books, bibliographies, catalogues, dissertations, Festschriften, films and videos, iconographies, critical commentaries to complete works, ethnographic recordings, conference proceedings, electronic resources, and reviews.
Enthält "Missa quarti noni" und diverse Chansons.