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The Coffyn/Coffin Dynasty is a genealogical recapitulation of fifteen generations born in the United States. At first, I was going to title it The Coffin Saga Continues, but R. Gardner and Louis Coffin expired. I fell in love with a wonderful culmination of people belonging to my husband's family. I added the years before the stepping on US soil. There are millions more of people out there to be added. One can enjoy reading cover to cover about so many important individuals such as presidents, a Union Station president, aviators, college owners, and patented people besides farmers, teachers, doctors, etc. It is not the norm of "born and died" information.
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This work is a selection of papers presented at the Folger Institute by an international collegium of scholars on the ascendancy of French culture during the reign of Louis XIV.
Until the present day, whaling and sealing in the nineteenth century have hardly received attention in Dutch maritime historiography. During the two preceding centuries whaling had developed into a prominent maritime industry. Various major external and internal problems, however, contributed to its rapid decline during the second half of the eighteenth century. After the Napoleonic Era (1795-1815), increasing numbers of Dutch entrepreneurs resumed whaling, both in the Arctic and in the South Seas. This book, based on extensive research into unexplored archival sources and secondary literature, fills many of the gaps in our understanding of how whaling and sealing were organied in the Netherlands.
Vol 1 905p Vol 2 961p.
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1) Includes a chapter on early theories on fracture as well as modern understandings 2) Contains a chapter on fatigue crack and creep fatigue crack 3) Provides an in-depth discussion of both linear elastic and nonlinear fracture mechanics 4) Includes both solved and unsolved example problems and end of chapter problems, and instructor support materials are also available
Originally published as Princes and peasants, 1983.
Queering the Vampire Narrative offers classroom-ready original essays that continue our explorations of vampires as representations of the cultural Other, which builds on the work of our previous texts. The editors argue, ultimately, the vampire is a queer icon, infinitely blurring the boundaries of identity and cultural norms and queering even the most seemingly stable notions, such as life, death, humanity, and monstrosity. The Vampire is the undead monarch of subtextual articulations of Otherness, especially queer behaviors and desires, offering explorations of the AIDS epidemic, the destabilization of ideas of fixed and stable sexuality, the search for community and chosen family, and th...