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New Export China
Why do so many contemporary Chinese artists use porcelain in their work? In New Export China, Alex Burchmore presents a deep dive into a unique genre of ceramic art to describe a framework for a broader art practice. Focusing on the work of four artists from the 1990s through the 2010s—Liu Jianhua, Ai Weiwei, Ah Xian, and Sin-ying Ho—Burchmore reveals how the materiality of ceramics has been used to highlight China’s role in global trade and to explore the function of this medium as a vessel for the transmission of Chinese art, culture, and ideas. From its historical pedigree and transcultural relevance to its material allure and anthropomorphic resonance, porcelain offers artists a unique way to move between the global and the intimate, the mass produced and the handmade, and the foreign and the domestic. By dissecting both the legacy of porcelain export and current networks of exchange, Burchmore ultimately demonstrates why this ceramic practice is crucial to understanding the development of Chinese contemporary art.
Choice
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Material Culture in Modern Diplomacy from the 15th to the 20th Century
The present volume aims at outlining a new field of research with regard to the history of diplomacy: the material culture of diplomatic interaction in early modern and modern times. The material culture of diplomacy includes all practices in foreign policy communication in which single artifacts, samples of artifacts, or else the whole material setting of diplomatic interaction is supposed to be constitutive for creating an intended effect in terms of diplomatic objectives. The chapters of this volume focus on intercultural diplomacy in different regions of the world wherein diplomatic actors of various kinds might have been confronted by a whole universe of unfamiliar artifacts and artifac...
Mountains and Megastructures
This book explores the shared qualities of mountains as naturally-formed landscapes, and of megastructures as manmade landscapes, seeking to unravel how each can be understood as an open system of complex network relationships (human, natural and artificial). By looking at mountains and megastructures in an interchangeable way, the book negotiates the fixed boundaries of natural and artificial worlds, to suggest a more complex relationship between landscape and architecture. It suggests an ecological understanding of the interconnectedness of architecture and landscape, and an entangled network of relations. Urban, colonialist, fictional, rural and historical landscapes are interwoven into this fabric that also involves discontinuities, tensions and conflicts as parts of a system that is never linear, but rather fluid and organic as driven by human endeavor.
Beethoven 1806
Beethoven 1806 examines a banner year in the creative life of Ludwig van Beethoven. Drawing on theories of mediation and a wealth of primary sources, it explores the specific contexts in which the music of this year was conceived, composed, and heard.
Ludwig Leichhardt's Ghosts
A fascinating cultural studies account of the "afterlife" of Leichhardt, revealing both German entanglement in British colonialism in Australia, and in a broader sense, what happens when we maintain an open stance to the ghosts of the past.
National Union Catalog
Includes entries for maps and atlases.
Joseph Beuys
Joseph Beuys was an influential thinker and teacher among artists of his generation. His dictum 'Everyone is an artist' belied a singular talent for merging media and ideas. This book highlights a selection of his posters and includes a catalog of his entire oeuvre in the field.
Bookforum
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Close to the Eyes
"Xiao Hui Wang's portraits are of a rare psychological intensity. A world away from celebrity portraiture, they focus not so much on their subjects' social, professional or material standing but on their individuality - in particular on their eyes. Close to the Eyes presents sixty-two of the photographer's most powerful works, taken during her recent travels in Europe, North America, Asia and Australia. In an autobiographical essay Xiao Hui Wang presents her life and artistic techniques. Tilman Spengler contributes his insights on the philosophical background of portraiture in China."-- prové de l'editor.
