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Recent works of fiction and popular history have promoted the idea that the Holy Grail symbolizes a physical bloodline that resulted from a union of Jesus Christ and Mary Magdalene. It is claimed by some that this is the secret kept tirelessly by certain esoteric movements for the past two millennia. Based on her groundbreaking research, Sylvia Francke exposes this notion as a blatant misinterpretation of the mystery traditions that preceded and ran parallel to the birth of Christianity. She traces the ancient spiritual paths of knowledge from the Cathars, the Knights Templar, and the enigmatic Rosicrucians, to the work of Rudolf Steiner in the twentieth century. Here, she concludes, is true...
Complete with headnotes, summaries of decisions, statements of cases, points and authorities of counsel, annotations, tables, and parallel references.
The first major work of art history to focus on women artists and their engagement with the spirit world, by the author of The Mirror and the Palette. It's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism, in various incarnations, has influenced numerous men—including lauded modernist artists such as Wassily Kandinsky, Piet Mondrian, Kazimir Malevich and Paul Klee—without repercussion. The fact that so many radical female artists of their generation—and earlier—also drank deeply from the same spiritual well has been sorely neglected for too long. In The Other Side, we explore the lives and wor...
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Seventeen-year-old singer Juliet Belford is irritated by her father's reticence regarding his service in the airforce during World War II, but with secrets of her own concerning an abusive stepfather, she tries to ignore it. However, her ignorance proves embarrassing during a weekend visit to a small western town for the dedication of a memorial to her father's former crewmate: she is told Martin Mansfield saved her father's life. Remembering how easily he let her mother go, she wonders if her father is perhaps a coward. During the weekend, Juliet worries that she might be replaced in the band and fights her attraction to the hero's son Christian, who is engaged to be married. She's also shocked by his mother's attempts to ensnare her father, Tony, while accusing her of flirting. In addition, there's the weird behaviour of Christian's grandfather to think about and she senses a mystery around the death of his wife, Mary. Can she solve it? And, if she does, will it somehow help Juliet find the courage to speak out about her stepfather?