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Features of Common Sense Geography
  • Language: en
  • Pages: 376

Features of Common Sense Geography

  • Categories: Art

The contributions in this volume combine fundamental questions of common sense geography with case studies of ancient geographical texts. The book bridges synchronic cognitive linguistic and cognitive psychological approaches to the ancient texts with a diachronic perspective. The mental modeling of common sense geography is a fruitful theoretical approach, to gain deeper insights in universal and cultural-specific mnemonic representational systems on the one hand, and to enhance our understanding of ancient geography on the other. (Series: Ancient Culture and History / Antike Kultur und Geschichte - Vol. 16)

A Companion to Aristophanes
  • Language: en
  • Pages: 469

A Companion to Aristophanes

Provides a comprehensive and systematic treatment of the life and work of Aristophanes A Companion to Aristophanes provides an invaluable set of foundational resources for undergraduates, graduate students, and scholars alike. More than a basic reference text, this innovative volume situates each of Aristophanes' surviving plays within discussion of key themes relevant to the study of the Aristophanic corpus. Throughout the Companion, an international panel of contributors incorporates material culture and performance context, offers methodological and theoretical insights into the study of Aristophanes, demonstrates the relevance of Aristophanes to modern life, and more. Each chapter focuse...

FrC 25.2 Diphilos frr. 59-85
  • Language: en
  • Pages: 269

FrC 25.2 Diphilos frr. 59-85

This volume forms the second part of the three-volume commentary on the fragments of Diphilus, who belongs to the prominent triad of the poets of New Comedy alongside Menander and Philemon. The present volume comprises the text and an English translation of the fragments of twenty-two plays of Diphilus, followed by a full-scale (philological, thematic, literary, interpretative, historical) commentary that also yields insight into the reception of Diphilan comedy in Roman theatre. This in-depth study of the Diphilan techniques of verbal humour and performance aims at shedding light on the dramatist's distinctive place in the comic tradition, as well as showcasing a degree of variation in the overall image of the production of new comedy.

FrC 10.7 Aristophanes fr. 392-486
  • Language: it
  • Pages: 360

FrC 10.7 Aristophanes fr. 392-486

In diesem italienischsprachige Band 10.7 der Fragmenta Comica werden neun fragmentarisch überlieferte Komödien des Aristophanes, von der ersten Fassung der Wolken bis zum Proagon, übersetzt und kommentiert. In den Fragmenten lassen sich wichtige Themen der Komödie des 5. Jahrhunderts, der Phase der sogenannten Alten Komödie (Archaia), erkennen: die kritische Auseinandersetzung mit der Sophistik, die Tragödienparodie, der Gegensatz von Krieg und Frieden sowie von arm und reich, der athenische Imperialismus, der Generationenkonflikt sowie Literatur- und Musikkritik.

Pluto
  • Language: it
  • Pages: 270

Pluto

  • Type: Book
  • -
  • Published: 2001
  • -
  • Publisher: Unknown

None

The Paths of Greek
  • Language: en
  • Pages: 350

The Paths of Greek

This volume proposes a multidisciplinary approach to the history of Ancient Greek. Each of its ten papers offers a methodological example of how the study of Greek can be greatly enhanced by a truly multidisciplinary perspective in which the analysis of language interacts with epigraphy, textual philology and comparative linguistics, yet without neglecting the role that linguistic features play in the texts in which they are used, and hence in the culture which produced both. The first four papers tackle epic language, addressing eccentric pronouns and formulas, the role and semantics of the middle perfect, and the development of hexameter poetry in the colonial West. The next two papers are...

The Book Review Digest
  • Language: en
  • Pages: 1628

The Book Review Digest

  • Type: Book
  • -
  • Published: 2004
  • -
  • Publisher: Unknown

None

Page and Stage
  • Language: en
  • Pages: 219

Page and Stage

Our knowledge of the ancient theatre is limited by the textual and iconographic character of the evidence available to us: we cannot watch or otherwise experience an Athenian tragedy or comedy. These essays, by a distinguished group of international scholars, bridge the gap between the surviving literary and iconographic evidence and the realities of performance on the ancient Greek stage. This ambitious goal is reached by means of a detailed examination of several case-studies: the construction of dramatic space in Sophocles’ Antigone; the significance of the use of deictic pronouns in Sophocles’ Trachiniae; the theatrical and religious dynamics of the appearance of divine figures on st...

Humanistica Lovaniensia
  • Language: en
  • Pages: 492

Humanistica Lovaniensia

Volume 59 Humanistica Lovaniensia: Journal of Neo-Latin Studies, published annually, is the leading journal in the field of Renaissance and modern Latin. As well as presenting articles on Neo-Latin topics, the journal is a major source for critical editions of Neo-Latin texts with translations and commentaries. Its systematic bibliography of Neo-latin studies (Instrumentum bibliographicum Neolatinum), accompanied by critical notes, is the standard annual bibliography of publications in the field. The journal is fully indexed (names, mss., Neo-Latin neologisms).

A Feast of Strange Opinions: Classical and Early Modern Paradoxes on the English Renaissance Stage 1.1
  • Language: en
  • Pages: 279

A Feast of Strange Opinions: Classical and Early Modern Paradoxes on the English Renaissance Stage 1.1

This volume aims at providing a comprehensive view of the performative as well as heuristic potentialities of the theatrical paradox in early modern plays. We are interested in discussing the functions and uses of paradoxes in early modern English drama by investigating how classical paradoxes were received and mediated in the Renaissance and by considering authors’ and playing companies’ purposes in choosing to explore the questions broached by such paradoxes. The book is articulated into three sections: the first, “Paradoxes of the Real”, is devoted to a theoretical investigation of the dramatic uses of paradoxes; the second, “Staging Mock Encomia” looks at the multiple dramatic functions of mock encomia and at the specific situations in which paradoxical praises were inserted in early modern plays; finally, the essays in “Paradoxical Dialogues” examine the connections between a number of early modern mock encomia and ancient or contemporary models.