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Mudéjar Art. Islamic Aesthetics in Christian Art
MUDÉJAR ART: Islamic Aesthetics in Christian Art reveals the fascinating exuberance of a unique cultural and artistic symbiosis that characterises Christian Spain after the Reconquista. The Mudéjars were Muslims allowed to stay in the reconquered territories. Their artists and artisans strongly influenced the culture and art of the new Christian kingdoms. In Aragon, Castille, Extremadura and Andalucía sumptuously decorated brick churches, monasteries and palaces illustrate perfectly the creative endurance of Islamic forms in Christian art between the 11th and 16th centuries in Spain. Thirteen Itineraries invite you to discover 124 museums, monuments and sites in Madrid, Guadalajara, Saragossa, Tordesillas, Toledo, Guadalupe and Seville (among others). With Index of Locations.
Hybrid Renaissance
Hybrid Renaissance introduces the idea that the Renaissance in Italy, elsewhere in Europe, and in the world beyond Europe is an example of cultural hybridization. The two key concepts used in this book are ?hybridization? and ?Renaissance?. Roughly speaking, hybridity refers to something new that emerges from the combination of diverse older elements. (The term ?hybridization? is preferable to ?hybridity? because it refers to a process rather than to a state, and also because it encourages the writer and the readers alike to think in terms of degree: where there is more or less, rather than presence versus absence.) The book begins with a discussion of the concept of cultural hybridization a...
Spain is Different. La restauración monumental durante el segundo franquismo
Tras el eslogan que da título al libro se articulan trece capítulos que profundizan en la restauración monumental llevada a cabo por instituciones y arquitectos en los años del desarrollismo (1959-1975). Confluyen varias líneas de estudio: la vida y obra de los arquitectos, las intervenciones en regiones españolas con casos concretos junto a nociones teóricas acerca del nacionalismo y el turismo, dos factores esenciales para comprender las intervenciones realizadas en este periodo. Las distintas aportaciones presentan una amplia documentación gráfica –planos y alzados procedentes de proyectos originales, documentos de archivos personales de arquitectos, así como fotografías de época, a veces confrontadas con imágenes del estado actual de los inmuebles– que complementa los textos, fruto de la compilación y tratamiento sistemático de datos. Muestra finalmente las singularidades de la praxis restauradora en una época de significativos cambios económicos, sociales y culturales.
Mudejarismo and Moorish Revival in Europe
Mudejarismo and Moorish Revival in Europe examines key aspects related to the reception of Ibero-Islamic architecture in medieval Iberia and 19th-century Europe. It challenges prevalent readings of architecture and interiors whose creation was the result of cultural encounters. As Mudéjar and neo-Moorish architecture are closely connected to the Islamic world, concepts of identity, nationalism, religious and ethnic belonging, as well as Orientalism and Islamoscepticism significantly shaped the way in which they have been perceived over time. This volume offers art historical and socio-cultural analysis of selected case studies from Spain to Russia and opens the door to a better understanding of interconnected cultural and artistic phenomena. Contributors are (in order of appearance) Francine Giese, Ariane Varela Braga, Michael A. Conrad, Katrin Kaufmann, Sarah Keller, Elena Paulino Montero, Luis Araus Ballesteros, Ekaterina Savinova, Christian Schweizer, Alejandro Jiménez Hernández and Laura Álvarez Acosta.
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Recursos humanos en investigación y desarrollo. Universidades y CSIC
Recursos humanos en investigación y desarrollo.--V.2.
L'Arte Mudejar: L'estetica islamica nell'arte cristiana
Adesso con indice delle località! L'Arte Mudejar: L’estetica islamica nell’arte cristiana rivela l’affascinante ricchezza di una simbiosi culturale e artistica tipicamente ispanica che diventò un elemento caratterizzante della Spagna cristiana che seguì al dominio arabo. I Mudejares erano i musulmani ai quali fu concesso di restare nei territori riconquistati e gli artisti e artigiani mudejar influenzarono massicciamente l’arte e la cultura dei nuovi regni cristiani. Le decorazioni di meravigliose chiese costruite in laterizio, monasteri e palazzi in Aragona, Castiglia, Estremadura e Andalusia forniscono un esempio unico di creativa conservazione di forme islamiche nel panorama dell’arte cristiana nella Spagna dall’XI al XVI secolo. Tredici Percorsi vi invitano a scoprire 124 musei, monumenti e siti a Madrid, Gualajara, Saragozza, Tordesillas, Toledo, Guadalupe e Siviglia (fra gli altri).
