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FormaMente n. 1-2/2018
RESEARCH – RICERCA Professor Stephen Hawking: an appreciation by Lord Rees Lord Martin Rees Stephen Hawking and a new vision of the Universe Fabrizio Fontana The power of images. How mass media can influence the human mind Andrea Gentile APPLICATIONS – APPLICAZIONI Remote technical assistance to strengthen professional and economic resilience of people in war crisis A success case study by CIHEAM Bari Luigi Sisto, Onofrio Lorusso Wearable technology and schools: where are we and where do we go from here? Brian K. Sandall Sustainable development and territorial regeneration in archaeological areas. The case of Apollonia in Albania Cinzia Bellone, Vasiliki Geropanta, Merita Kushi A post-seism rebuilding proposal for civil masonry buildings. A case study Matteo Bagnoli HIGHLIGHT – PROSPETTIVE Half a classroom. Building open works Viviana Rubichi, Sara Fortuna Theories and techniques for teaching and learning English as a foreign language. The ESA method Giovanna Scatena CONTRIBUTORS GENERAL INDICATIONS FOR THE AUTHORS
犢-試刊號NO.16
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Art and Violence in Early Renaissance Florence
This study is the first to examine the relationship between art and violence in 15th-century Florence, exposing the underbelly of a period more often celebrated for enlightened and progressive ideas. Renaissance Florentines were constantly subjected to the sight of violence, whether in carefully staged rituals of execution or images of the suffering inflicted on Christ. There was nothing new in this culture of pain, unlike the aesthetic of violence that developed towards the end of the 15th century. It emerged in the work of artists such as Piero di Cosimo, Bertoldo di Giovanni, Antonio del Pollaiuolo, and the young Michelangelo. Inspired by the art of antiquity, they painted, engraved, and sculpted images of deadly battles, ultimately normalizing representations of brutal violence. Drawing on work in social and literary history, as well as art history, Scott Nethersole sheds light on the relationship between these Renaissance images, violence, and ideas of artistic invention and authorship.
Matteo di Giovanni
None
Visible Exports / Imports
This interdisciplinary publication brings together new research on medieval and renaissance art, culture and the critical history by established scholars, early career academics and postgraduate students from the University of Glasgow, Queen’s University Belfast, University College Cork, the University of Aberdeen and the University of Warwick. The majority of the articles featured are based on papers given at Gloss, a postgraduate conference on medieval and renaissance art and culture, held at the University of Glasgow, 29 June 2007, organised by Emily Jane Anderson with Sandra Cardarelli and Joanne Anderson; and/or at the International Medieval Congress, University of Leeds, 9–12 July ...
