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Don't Smell the Floss
Like pop songs that have overdosed on camera cleaning fluid and pills, Matty Byloos’s short stories are most definitely NOT traditional ideas on the subjects of love, daydreaming, and the psychological dramas that have become an unavoidable part of the human condition. Byloos, at first glance, appears to share too much; but the information is masked, skewed and filtered through a very weird, perverse universe of characters who play out human dramas underneath layers of oddity. Byloos’s characters are confused - they’re sad, they’re searching - but in those emotional states, they’re real, easily identifiable people. Byloos takes the reader behind the scenes of lives we might not normally think about (or even want to think about) but which are no less real despite their clandestine nature.
Rope
Fiction. In this lurid novel-in-stories, The Motorcycle Gang, a mythic and silent anti-hero whose very presence foretells the coming of the end of the world, descends upon the land. Cast against a dystopian backdrop and set in the near-distant future, the country has devolved into two capital cities: Las Vegas and Detroit. When everyone learns of the end of times, society comes unhinged and anarchy rules the day. But The Motorcycle Gang has a secret that no one else knows.
Dear Future Boyfriend
In her celebrated debut volume, Cristin O'Keefe Aptowicz tackles, among other idiosyncratic topics, love ("Science"), heartbreak ("Lit"), and thieving suburban punks ("Ode to the Person Who Stole My Family's Lawn Gnome"). Quirky and funny with a subtext of social commentary, Aptowicz's writing lets the reader ride shotgun in a hilarious sprawling road trip through America’s youth culture. Cristin O'Keefe Aptowicz is a dizzying dervish of a poet, an astounding talent, a deft lyricist whose patented take on this dopey world is dazzling in its originality. Everything she encounters is fair game, and she jolts us into unexpected, delightful recognition. -Patricia Smith, "Blood Dazzler" Cristin O'Keefe Aptowicz is a flash flood of uppercut quotes. Reading her work tempts me to lean over to the people next to me, and say, “Hey, you gotta see this.” Do not miss the opportunity to absorb this woman's work, page or stage." - Buddy Wakefield, "Live for a Living"
Uncontrolled Experiments in Freedom
"Brian Ellis' poems make me want to set fire to my house and run out of the flaming door, through the streets, the fields, up the buildings and across the moon."--Anis Mojgani, author "...every turn and sudden stop is a satisfying lurch in the direction of growing up."-- Simone Beaubien, The Boston Poetry Slam His words shiver, babble, rant and constantly threaten to fall apart under the weight of their own gravity. Ellis' colorful voice is a strong addition to the Boston spoken word tradition. A second-hand microscope examining the fuzzy science of survival, Uncontrolled Experiments in Freedom is a manic and shimmering author at his creative zenith. Filled with tangentially familiar characters--family misremembered, or friends still to be met--all delivered with deft eloquence, frank eye for unlikely detail, and inescapable sense of punk nostalgia.
The Constant Velocity of Trains
Author Lea Deschenes' collection of honest, inquisitive poetry takes readers on a tour from the front steps in her native New England to uncharted jungles and beyond the edge of the universe, accompanied by Einstein, Marcus Aurelius and Rumi. Poetically, she balances precise craft with heartfelt meaning. From studies of a culture moving at the speed of light to meditations upon capital-L Love, The Constant Velocity of Trains finds its heart in relativity: the intersecting, interlocking, and often exasperating perspectives that make up reality. Lea Deschenes is flirting with perfection. It’s taken much too long for her words to reach a larger audience, an audience that’s been searching fr...
Gentleman Practice
Buddy Wakefield’s third book, Gentleman Practice, documents the figurative contents of a man’s body attempting to stand firm in the presence of all that is. It’s a poetry book, from the perspective of a journal entry in the National Archives. The National Archives live in a building in Seattle behind barbed wire, directly next door to the Center for Spiritual Living. This is no accident. Gentleman Practice is a disarming de-haunting of accidents. There are no stunt doubles performing the honesty in this book. Head raised and victorious, he has crafted a translation of the human spirit on a small, practical patch, with a very fine tooth indeed. And, while many poetry books read like a thick epic series of sections, Gentleman Practice will no doubt rest in your hands like a well-oiled novel.
Bring Down the Chandeliers
Tara Hardy�s first book of poems explores the glory, garden and grit of wound while aiming at the bulls-eye of redemption. Translating what the body knows into text, she writes about love, betrayal, sex, war, addiction, regret, and forgiveness. From flat out advice to a trauma survivor, to what roils inside Adam�s rib, to sex from the perspective of her hair, these poems strive to come to terms with human flaw and its aftermath. Through personal narrative, her work deepens our understanding of larger cultural splits, among them victim/perpetrator, gay/straight, urban/rural, coastal/middle, poor/privileged, self/other. These poems press us to work shame into joy, rage into art, and regret into possibility.
A Constellation of Half-Lives
A Constellation of Half-Lives is a collection of poems that attempt to reconcile the crisis of living on a collapsing planet with the unreasonable joy of loving and the pleasure of being alive. With careful precision and an exquisite eye for detail, poet Seema Reza examines what it means to be a mother, a daughter, and an American in a time of war. Through second-person poems she questions whether the beauty of this world outweighs its fragility and risk.
Reasons to Leave the Slaughter
Reasons to Leave the Slaughter speaks of a rural landscape, this “farm life,” will lure you in, draw you down to the pond for afternoons of fishing, picking mulberries, and climbing trees. It is also a place of broken limbs, animals dying every season, storms raging down on the flimsy shell called home. Reasons to Leave the Slaughter speaks of the balance between our desperate human need to “own” land, to have a place, a home, and to control it with fences and property lines. This book also calls upon nature’s constant battling back, crushing plans and hopes with an infestation of one pest or another, a tornado crumpling new buildings into dust, an animal’s death. This book revel...
