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Rebel Girls!
La música es una manifestación cultural clave en la sociedad, conecta intensa y emocionalmente con la identidad y permite articular subjetividades vitales para las personas. Tomando como premisa la canción «Rebel Girl» de Bikini Kill, las reivindicaciones de la cuarta ola del feminismo, el impacto del movimiento #MeToo, el resurgir del activismo y los discursos feministas en Iberoamérica, este volumen aborda la actual desigualdad de género en la industria musical. Una obra sólidamente documentada que ilustra la envergadura del movimiento activista y perfila el impacto de redes sociales y plataformas en la construcción de la igualdad, al mismo tiempo que analiza en detalle los discursos y las representaciones que están protagonizando artistas y compositoras en la industria musical de España y América Latina.
El hechizo roto
El libro de fotografía ha sido un objeto central en la historia cultural de los últimos cien años. Hasta ahora, los abordajes sobre este dispositivo lo han homologado a la categoría moderna de obra, empeñándose en buscar una especificidad fotográfica y en atribuir su producto a un autor. A través de una perspectiva situada, esta colección de ensayos busca instalar nuevos umbrales de reflexividad sobre el libro de fotografía. Lejos de una mirada celebratoria, los textos aquí reunidos apuntan a pensar los poderes que operaron en estos objetos, las particularidades que asume en América Latina y España, las políticas realizadas y futuras y las potencias que de ellas nos es dado a e...
Primer acto
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The Complete Book of 2000s Broadway Musicals
In this book, Dan Dietz examines in detail every musical that opened on Broadway during the 2000s, including Avenue Q, Billy Elliott, The Full Monty, In the Heights, Jersey Boys, Mary Poppins, Next to Normal, The Producers, Rock of Ages, Spamalot, Spring Awakening, The 25th An...
Contours of White Ethnicity
In Contours of White Ethnicity, Yiorgos Anagnostou explores the construction of ethnic history and reveals how and why white ethnics selectively retain, rework, or reject their pasts. Challenging the tendency to portray Americans of European background as a uniform cultural category, the author demonstrates how a generalized view of American white ethnics misses the specific identity issues of particular groups as well as their internal differences. Interdisciplinary in scope, Contours of White Ethnicity uses the example of Greek America to illustrate how the immigrant past can be used to combat racism and be used to bring about solidarity between white ethnics and racial minorities. Illumin...
Islamic Law in Theory
The contributions of Bernard Weiss to the study of the principles of jurisprudence (uṣūl al-fiqh) are recognized in a series of contributions on Islamic legal theory. These thirteen chapters study a range of Islamic texts and employ contemporary legal, religious, and hermeneutical theory to study the methodology of Islamic law. Contributors include: Peter Sluglett, Ahmed El Shamsy, Éric Chaumont, A. Kevin Reinhart, Mohammad Fadel, Jonathan Brockopp, Christian Lange, Raquel M. Ukeles, Paul Powers, Robert Gleave, Wolfhart Heinrichs, Joseph Lowry, Rudolph Peters, Frank E. Vogel
Islamic Legal Thought
In Islamic Legal Thought: A Compendium of Muslim Jurists, twenty-three scholars each contribute a chapter on a distinguished Muslim jurist. The volume is organized chronologically and it includes jurists who represent the formative, classical and modern periods of Islamic legal thought. Each chapter contains both a biography of an individual jurist and a translated sample of his work. The biographies emphasize the scholarly milieu in which the jurist worked—his teachers, colleagues and pupils, as well as the type of juridical thinking for which he is best known. The translated sample highlights the contribution of each jurist to the evolution of both the method and the methodology of Islam...
The Complete Book of 1970s Broadway Musicals
The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during...
