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Here is Arthur Miller on Midwood, Mel Brooks on Williamsburg, Spike Lee on Fort Green. David McCullough sees Truman, F. Murray Abraham deconstructs Brooklynese, Jerry Della Famina describes those hot summer nights, and Nora Guthrie remembers living with her father Woody in Coney Island. There's the West Indian Day parade and the Neptune Parade, Ebbet's Field Sym-phony and Norman Mailer in a homeless shelter, pigeon-racing and parakeets in Green-wood Cemetery, Junior's cheesecake, the judge in the Gotti trial, the world's best handball player, and a wise guy's guide to dining. BROOKLYN, the book, tells it all. Packed with the accent, the attitude, the smarts, with nostalgia, respect, awe, lau...
Brilliant, illuminating criticism from a superstar poet—a refreshing, insightful look at how works of art, specifically poetry and popular music, can serve as essential tools for living. How can art help us make sense—or nonsense—of the world? If wrong life cannot be lived rightly, as Theodor Adorno had it, what weapons and strategies for living wrongly can art provide? With the same intelligence that animates his poetry, Michael Robbins addresses this weighty question while contemplating the idea of how strange it is that we need art at all. Ranging from Prince to Def Leppard, Lucille Clifton to Frederick Seidel, Robbins’s mastery of poetry and popular music shines in Equipment for Living. He has a singular ability to illustrate points with seemingly disparate examples (Friedrich Kittler and Taylor Swift, to W.B. Yeats and Anna Kendrick’s “Cups”). Robbins weaves a discussion on poet Juliana Spahr with the different subsets of Scandinavian black metal, illuminating subjects in ways that few scholars can achieve. Equipment for Living is also a wonderful guide to essential poetry and popular music.
A new collection from an audacious, humorous poet celebrated for his "sky-blue originality of utterance" (Dwight Garner, The New York Times) Michael Robbins's first two books of poetry were raucous protests lodged from the frontage roads and big-box stores of off-ramp America. With Walkman, he turns a corner. These new poems confront self-pity and nostalgia in witty-miserable defiance of our political and ecological moment. It's the end of the world, and Robbins has listened to all the tapes in his backpack. So he's making music from whatever junk he finds lying around.
A consumer's reference to green living counsels readers on how to identify truly eco-friendly products and includes reviews and advice for everything from home furnishings and appliances to toys and clothing. Original.
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The quest to comprehend the essence of human nature is as old as the capacity for reflective thought. In this provocative book, Dr. Michael Robbins proposes a new approach that draws upon psychoanalysis but is shaped by awareness of the limits that the particular circumstances of historical epoch, Western culture, male gender, and modal population from which psychoanalysis was derived impose on its modernist claims to being a universal theory. Dr. Robbins addresses these limitations from the perspective of philosophy of science, focusing on the paradigm shift from logical positivism, which seeks to reduce complexity and diversity to its presumptive causal building blocks, to the postmodern e...
Examines how the modern presidency has responded to environmental concerns.
The debut collection of a poet whose savage, hilarious work has already received extraordinary notice. Since his poems first began to appear in the pages of The New Yorker and Poetry, there has been a lot of excited talk about the fresh and inventive work of Michael Robbins. Equal parts hip- hop, John Berryman, and capitalism seeking death and not finding it, Robbins's poems are strange, wonderful, wild, and completely unlike anything else being written today. As allusive as the Cantos, as aggressive as a circular saw, this debut collection will offend none but the virtuous, and is certain to receive an enormous amount of attention.
After three years of living his dream as a professional baseball pitcher, Mike Robbins had an arm injury that benched him for good, and when this happened, everything changed. He had to figure out who he was without the identity of "baseball player"—a process fraught with emotional highs and lows—and he quickly realized that the self-criticism and self-doubt he was feeling are in fact epidemic in our culture. Too often we base our value on our external world—our jobs, finances, appearance, or various other factors. Even the most successful people struggle with their relationship with themselves. In Nothing Changes Until You Do, Mike looks at this delicate relationship and brings to lig...