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Foreword by Glenn D. Lowry. Text by Roxana Marcoci.
Acclaimed national security columnist and noted cultural critic Fred Kaplan looks past the 1960s to the year that really changed America While conventional accounts focus on the sixties as the era of pivotal change that swept the nation, Fred Kaplan argues that it was 1959 that ushered in the wave of tremendous cultural, political, and scientific shifts that would play out in the decades that followed. Pop culture exploded in upheaval with the rise of artists like Jasper Johns, Norman Mailer, Allen Ginsberg, and Miles Davis. Court rulings unshackled previously banned books. Political power broadened with the onset of Civil Rights laws and protests. The sexual and feminist revolutions took th...
Taking its title from Harald Szeemann's landmark show, Live in Your Head re-examines the artistic legacy of the 1960s and 70s and attempts to clarify the points of origin of a formative generation in British art. An essential guide to the period, being the first since the 1970s to focus specifically on conceptual and experimental art in Britain. Featuring a double-page spread on each of the 64 participating artists, this catalogue also includes artists' statements and portraits, reproductions of numerous works, biographic and bibliographical information. In addition, Live in Your Head includes a lively and illustrated chronology of social and cultural events between 1965-1975, and essays by Michael Archer, Rosetta Brooks and co-curators, Andrea Tarsia and Clive Phillpot.
Accompanies the exhibition of the same name held at the Hammer Museum, Los Angeles, May 13-Sept. 2, 2007.
Every 3rd issue is a quarterly cumulation.
Die Werkserie »Ground Zero« der Künstlerin Isa Genzken entstand im Jahr der Weltwirtschaftskrise 2008 und gehört zu ihren zentralsten Arbeiten. Wie reflektieren ihre Assemblagen die traumatische Dimension von 9/11? Und wie kann der ironisch-kritische Kommentar einer Bildhauerin auf die Geschichte des Wiederaufbaus des World Trade Centers in New York genauer verstanden werden? Gerald Schröder legt erstmals eine ausführliche Analyse dieser Werkserie mit ihren vielfältigen Bezügen zu Bildender Kunst und Architektur vor, die er vor dem Hintergrund eines zunehmend fragil erscheinenden postfordistischen Wirtschaftssystems interpretiert.
"Hauser & Wirth : 20 years documents the gallery's history since its founding in 1992 by Iwan Wirth, and Manuela and Ursula Hauser. It dedicates a section to each gallery artist with unpublished archive material, including photographs, personal mementos and correspondence alongside exhibition photographs and biographical information"--P. [4] of cover.
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