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The Colours of Man
This collection celebrates the profusion of all the colors of man and all the shades, hues, and tones of the spectrum contained within man and humankind. It encompasses seventeen stories from a twenty-six year period of writing, demonstrating not only a variety of literary and linguistic styles, but a deftness of style that characterizes O Conghaile's writing and marks him among the most accomplished and distinctive short story writers of his generation.
Colourful Irish Phrases
The Irish language has made a huge contribution to the English language as it's spoken in Ireland and beyond. Micheál Ó Conghaile's 'Colourful Irish Phrases' is a small compendium of characteristic phrases that will alert the reader to the unmistakable difference between our native language and English. Even the most basic words are expressed so differently. Please in Irish is más é do thoil é (if it is your will), and thanks becomes go raibh maith agat (may you receive good). There are many phrases that when translated, word for word, they sound different, unusual and sometimes funny. But above all, they are rich and deeply rooted. Visitors to Ireland who want to get some notion of our native identity will find these phrases both instructive and revealing. Topics covered range across subjects as diverse as insults and put-downs, being human and the gift of the gab.
The Connemara Five
The Connemara Five introduces us to 5 characters who are prisoners of their own lives. Danny is a closet transvestite living with his bitter and aggressive-brother Darach and their aging and demented father Coleman. Cynthia is engaged to Danny but she doesn't and cannot understand him, and the fifth character, Maggie, lives alone because of the choices she made many decades ago. All of their lives are shaped by tragedy and by the narrowness of their society. The Connemara Five is an original and unique piece of work. The author portrays the life of each character with sensitivity, subtlety, sympathy, and with humour. The characterisation is immensely compassionate, these people's lives stay with us long after their doors are closed.
Elsewhere
What do we mean by small town? How has this innocuous term – one up from ‘village’, a couple down from ‘city’ – come to function as a pejorative? Pressed to describe what the phrase ‘small town’ conjures up, we’d be hard pushed to say anything positive: closed-minded; petty; provincial; parochial. On a broad European canvas, however, the rich traditions of short story writing challenge these preconceptions. The stories collected here are neither narrow-minded nor petty, nor do the minds of their protagonists contract to fit their environment. In Germany, a house-husband is slowly sent over the edge by his over-achieving neighbours. In the town of Odda in Norway, a middle-aged Morrissey fan has a matter of hours to find a girlfriend so his ailing mother can die in peace. It’s the small gestures – a white lie, the turning of a blind eye, a small kindness or a secret kept – that allow the characters of these communities to survive, to breathe easily within the seemingly tight strictures life there can impose. It’s how we do things round here...
Graveyard Clay
In critical opinion and popular polls, Máirtín Ó Cadhain’s Graveyard Clay is invariably ranked the most important prose work in modern Irish. This bold new translation of his radically original Cré na Cille is the shared project of two fluent speakers of the Irish of Ó Cadhain’s native region, Liam Mac Con Iomaire and Tim Robinson. They have achieved a lofty goal: to convey Ó Cadhain’s meaning accurately and to meet his towering literary standards. Graveyard Clay is a novel of black humor, reminiscent of the work of Synge and Beckett. The story unfolds entirely in dialogue as the newly dead arrive in the graveyard, bringing news of recent local happenings to those already confined in their coffins. Avalanches of gossip, backbiting, flirting, feuds, and scandal-mongering ensue, while the absurdity of human nature becomes ever clearer. This edition of Ó Cadhain’s masterpiece is enriched with footnotes, bibliography, publication and reception history, and other materials that invite further study and deeper enjoyment of his most engaging and challenging work.
Burrard Inlet
Winner of the Writers' Trust of Canada Journey Prize Winner of the Independent Publisher Book Awards Silver Medal Shortlisted for Wales Book of the Year Longlisted for the Frank O'Connor International Short Story Award Longlisted for the Edge Hill Short Story Prize Burrard Inlet is the body of water that divides Vancouver's North Shore from the rest of the Lower Mainland. In this collection of award-winning stories, Tyler Keevil uses that rugged landscape as a backdrop for characters who are struggling against the elements, each other, and themselves. A search-and-rescue volunteer looks for a missing snowboarder on Christmas Eve; two brothers retreat to the woods to shoot a film in memory of their dead friend; a reclusive forestry worker picks up a hitcher on his way down Mount Seymour; a young man finds a temporary haven on the ice barge where he works. Written in a lean, muscular style, these are stories awash in blood and brine, and steeped in images of freedom and confinement. Within that narrative framework, Burrard Inlet becomes more than a geographical location: it is a liminal space, a boundary and a barrier, a threshold to be crossed.
The Last of Her Kind
The paths of two women from different walks of life intersect amid counterculture of the 1960s in this haunting and provocative novel from the National Book Award-winning author of The Friend Named a Best Book of the Year by the San Francisco Chronicle and the Christian Science Monitor Sigrid Nunez's The Last of Her Kind introduces two women who meet as freshmen on the Columbia campus in 1968. Georgette George does not know what to make of her brilliant, idealistic roommate, Ann Drayton, and her obsessive disdain for the ruling class into which she was born. She is mortified by Ann's romanticization of the underprivileged class, which Georgette herself is hoping college will enable her to es...
The Abbey Theatre, 1899-1999
A century ago this year, productions of W. B. Yeats's iThe Countess Cathleen/i and Edward Martyn's iThe Heather Field/i inaugurated the Irish Literary Theatre, which was to take its name from its home in Abbey Street, Dublin. Despite riot, fire, and critical controversy, the Abbey Theatre hashoused Ireland's National Theatre ever since: at once the catalyst and focus for the almost unprecedented renaissance of drama witnessed by Ireland in the twentieth century. This is the first history of the Abbey to discuss the plays and the personalities in their underlying historical and politicalcontext, to give due weight to the theatre's work in Irish, and to take stock of its artistic and financial...
Eolaire an Stáit
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Twisted Truths
A sampling of the finest literature being produced in Ireland today- a selection to delight, horrify, enthrall, and appall in equal measure.
