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Harvester of Hearts
In Harvester of Hearts, Rachel Feder offers fascinating new analyses of Mary Shelley's Frankenstein and Mathilda that explore the fictional texts' connections to Shelley's experiences of motherhood and maternal loss, twentieth-century feminists' interests in and attachments to Mary Shelley, and the critic's own experiences of pregnancy, childbirth, and motherhood.
Birth Chart
A collection of poems weaving together astrology, motherhood, music, and literary history. In Birth Chart, a collection of heartfelt, ruthless poetry, Rachel Feder rethinks the relationship between astrology and motherhood. She asks, if astrology constellates the universe around the moment of one’s birth, then how might it serve as shorthand for a vast number of personal experiences and cultural phenomena? How might it speak to and of friendship, motherhood, authorship, the mysteries of literary history, and the wonders of watching a child come into language? Across four sections, including a serial poem in sustained conversation with the modernist poet H.D., Feder’s references range from group texts to the Talmud to ʼ90s song lyrics. In her hands—and her inimitable yet familiar, often straight-up funny voice—astrology is less a means of explaining the world than of communicating, of capturing a feeling, of sealing a bond. The result is an equally sentimental and sardonic collection in which “the language of explanation is a heart emoji. It means you know what I mean.” And we do.
Fixed Stars
Fixed Stars investigates the in-between: windows, porches, drawers, bedrooms, and basements are portals to examine how language shapes and is shaped. A lush voyage through trauma and toward the reestablishment of hope.
Born Yesterday
The early novel was not the coming-of-age story we know today—eighteenth-century adolescent protagonists remained in a constant state of arrested development, never truly maturing. Between the emergence of the realist novel in the early eighteenth century and the novel's subsequent alignment with self-improvement a century later lies a significant moment when novelistic characters were unlikely to mature in any meaningful way. That adolescent protagonists poised on the cusp of adulthood resisted a headlong tumble into maturity through the workings of plot reveals a curious literary and philosophical counter-tradition in the history of the novel. Stephanie Insley Hershinow's Born Yesterday ...
Mother : An Unconventional History
When acclaimed historian Sarah Knott became pregnant, she started looking for a history of motherhood - only to find that no such book exists. For centuries, historians have concerned themselves with wars and revolutions, not the everyday details of carrying and caring for a baby. These details matter- they shape our feelings and give structure to our hours. But they leave little historical trace. Much to do with becoming a mother, past or present, is lost or forgotten.Using the arc of her own experience, from miscarriage to the birth and early babyhood of her two children, Sarah Knott explores the changing traditions, experiences and cultural implications of motherhood. Drawing on diaries and letters, paintings and songs, Mother vividly brings to life the lost stories of both ordinary and extraordinary women - from the labour pains of a South Carolina field slave to the triumphant smile of a royal mistress pregnant with a king's first son - to create a moving depiction of a universal and endlessly various human experience.
Artificial Life After Frankenstein
Artificial Life After Frankenstein brings the insights born of Mary Shelley's legacy to bear upon the ethics and politics of making artificial life and intelligence in the twenty-first century. What are the obligations of humanity to the artificial creatures we make? And what are the corresponding rights of those creatures, whether they are learning machines or genetically modified organisms? In seeking ways to respond to these questions, so vital for our age of genetic engineering and artificial intelligence, we would do well to turn to the capacious mind and imaginative genius of Mary Wollstonecraft Shelley (1797-1851). Shelley's novels Frankenstein; or, The Modern Prometheus (1818) and Th...
Drawing the Line
Agnes MartinÕs (1912Ð2004) celebrated grid paintings are widely acknowledged as a touchstone of postwar American art and have influenced many contemporary artists. MartinÕs formative years, however, have been largely overlooked. In this revelatory study of MartinÕs early artistic production, Christina Bryan Rosenberger demonstrates that the rapidly evolving creative processes and pictorial solutions Martin developed between 1940 and 1967 define all her subsequent art. Beginning with MartinÕs initiation into artistic language at the University of New Mexico and concluding with the reception of her grid paintings in New York in the early 1960s, Rosenberger offers vivid descriptions of the...
Rock and Romanticism
Rock and Romanticism: Blake, Wordsworth, and Rock from Dylan to U2 is an edited anthology that seeks to explain just how rock and roll is a Romantic phenomenon that sheds light, retrospectively, on what literary Romanticism was at its different points of origin and on what it has become in the present. This anthology allows Byron and Wollstonecraft to speak back to contemporary theories of Romanticism through Bob Dylan and the Rolling Stones. Relying on Löwy and Sayre’s Romanticism Against the Tide of Modernity, it explores how hostility, loss, and longing for unity are particularly appropriate terms for classic rock as well as the origins of these emotions. In essays ranging from Bob Dylan to Blackberry Smoke, this work examines how rock and roll expands, interprets, restates, interrogates, and conflicts with literary Romanticism, all the while understanding that as a term “rock and roll” in reference to popular music from the late 1940s through the early 2000s is every bit as contradictory and difficult to define as the word Romanticism itself.
The Calamity Form
Romanticism coincided with two major historical developments: the Industrial Revolution, and with it, a turning point in our relationship to the earth, its inhabitants, and its climate. Drawing on Marxism and philosophy of science, The Calamity Form shines new light on Romantic poetry, identifying a number of rhetorical tropes used by writers to underscore their very failure to make sense of our move to industrialization. Anahid Nersessian explores works by Friedrich Hölderlin, William Wordsworth, John Keats, and others to argue that as the human and ecological costs of industry became clear, Romantic poetry adopted formal strategies—among them parataxis, the setting of elements side by s...
Reductive Reading
Introduction the syntax of Victorian moralizing: on choosing a proxy for style -- In defense of reading reductively -- The shockingly subtle criticism of the London Quarterly Review, 1855-1861 -- Relative clauses and the narrative present tense in George Eliot -- generalization and declamation : Elizabeth Barrett Browning's present-tense poetics -- A moral technology: speech tags in Charles Dickens's dialogue -- Conclusion : a grammar of perception
