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Editado en idioma inglés, este tributo a Mario Vargas Llosa y sus obras reúne los ensayos preparados en su honor, en la Universidad de Hofstra, noviembre del 2003. También se incluye dos entrevistas y una selecta bibliografía.
Este texto presenta un conjunto de reflexiones que se llevaron a cabo en interacción con estudiantes en el curso de algunas asignaturas. El eje articulador siempre fue la educación en la sociedad de la información. Algo que ha llamado poderosamente mi atención es poder percatarme, a través del diálogo con distintas personas y con los estudiantes, del gran desconocimiento o de conceptos erróneos acerca de la sociedad de la información, a pesar de que la mayoría de las personas —me atrevo a decir— hacen un uso masivo de las tecnologías de la información y la comunicación. En un salón de clase, para no ir más lejos, un estudiante, de forma jocosa, alguna vez comentó: «No entiendo cómo podían vivir ustedes sin internet, sin celular y sin redes sociales; la vida debió ser muy aburrida, muy lenta y complicada».
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Performance-based epistemology conceives the normativity involved in epistemic evaluation as a special case of a pattern of evaluation that can be applied to any domain where there are agents that carry out performances with an aim. This volume presents new essays by leading epistemologists on the foundations and applications of this approach.
Millions of descendants of the former colonized and enslaved peoples around the world are now classified as poor readers, bad writers, and unskilled learners. Are they illiterate or silenced people? Are they global citizens or global outcasts? Drawing from case studies of flesh and blood individuals in Mexico and the US, this book questions the colonizing images of the educationally excluded as 'illiterates', and explores the ways in which the long social history of conquest and colonization, plunder and globalization, is inscribed in the personal histories of today's subjugated people. It argues that rather than 'limited literacy skills' they face systematic lack of freedom to speak, act, and make decisions about their own lives. Literacy, thus, must be seen as a practice of voice and citizenship, rather than a technical skill.
This work brings together a new generation of drug historians and new historical sources to uncover the history of the drug trade and its regulations. While the US and Mexican governments developed anti-drug discourses and policies, which criminalized both high-profile traffickers and small-time addicts, these authorities also employed the criminals and cash connected to the drug trade to pursue more pressing political concerns. The politics, socioeconomic relations, and criminal justice system of modern Mexico has been shaped by standing public and covert state policies as well as by the interaction of subnational trajectories of drug production and trafficking. The essays in this study explore this complicated narrative and provide insight into Mexico’s history and the wider contemporary global drug trade.
This collection of essays poses a series of questions revolving around nonsense, cacophony, queerness, race, and the dancing body. How can flamenco, as a diasporic complex of performance and communities of practice frictionally and critically bound to the complexities of Spanish history, illuminate theories of race and identity in performance? How can we posit, and argue for, genealogical relationships within and between genres across the vast expanses of the African—and Roma—diaspora? Neither are the essays presented here limited to flamenco, nor, consequently, are the responses to these questions reduced to this topic. What all the contributions here do share is the wish to come together, across disciplines and subject areas, within the academy and without, in the whirling, raucous, and messy spaces where the body is free—to celebrate its questioning, as well as the depths of the wisdom and knowledge it holds and sometimes reveals.