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Mike Topp
  • Language: en

Mike Topp

  • Type: Book
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  • Published: 1992
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  • Publisher: Unknown

None

Happy Ending
  • Language: en

Happy Ending

  • Type: Book
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  • Published: 2003
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  • Publisher: Unknown

None

Something Else
  • Language: en
  • Pages: 8

Something Else

  • Type: Book
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  • Published: 1995
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  • Publisher: Unknown

None

The Poetry Jug
  • Language: en
  • Pages: 31

The Poetry Jug

  • Type: Book
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  • Published: 2021
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  • Publisher: Unknown

None

Shorts are Wrong
  • Language: en

Shorts are Wrong

Mike Topp's irreducible art consists partly of recycling expandable parts of speech and revealing their unused genius. Other parts are fixed, like the sly orthography. Topp is the Andy Warhol and Ralph Nader of literature. Andrei Codrescu

Up is Up, But So is Down
  • Language: en
  • Pages: 513

Up is Up, But So is Down

  • Type: Book
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  • Published: 2006-10
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  • Publisher: NYU Press

The first book to capture the spontaneity of lower Manhattan's Downtown literary scene collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992. (Literary Criticism)

Sasquatch Stories
  • Language: en
  • Pages: 55

Sasquatch Stories

Poetry. Fiction. SASQUATCH STORIES is a collection of poetry joke stories, each one better than the one before and after it. Cover art by Tao Lin. Illustrated by David Berman. "Mike Topp is a disablingly funny writer—a miniaturist of nervous precisions, our supreme abridger of metropolitan startlement and inner fidgetry. He dazes and graces us"—Gary Lutz.

I Used to be Ashamed of My Striped Face
  • Language: en

I Used to be Ashamed of My Striped Face

  • Type: Book
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  • Published: 1987
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  • Publisher: Unknown

None

Portfolio
  • Language: en
  • Pages: 32

Portfolio

  • Type: Book
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  • Published: 1989
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  • Publisher: Unknown

None

Saints of Hysteria
  • Language: en
  • Pages: 417

Saints of Hysteria

  • Type: Book
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  • Published: 2007-03-06
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  • Publisher: Catapult

Collaborative poetry — poems written by one or more people — grew out of word games played by French surrealists in the 1920s. It was taken up a decade later by Japan’s Vou Club and then by Charles Henri Ford, who created the chainpoem, composed by poets who mailed their lines all over the world. After WW II, the Beat writers’ collaborative experiments resulted in the famous Pull My Daisy. The concept was embraced in the 1970s by feminist poets as a way to find a collective female voice. Yet, for all its rich history, virtually no collections of collaborative poetry exist. This exhilarating anthology remedies the omission. Featured are poems by two, four, even as many as 18 people in a dizzying array of forms: villanelles to ghazals, sonnets to somonkas, pantoums to haiku, even quizzes, questionnaires, and other nonliterary forms. Collaborators’ notes accompany many of the poems, giving a fascinating glimpse into the creative process.