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A decisive contribution to the study of Carlo Michelstaedter, Italian writer and philosopher.
The work of Carlo Michelstaedter (1887-1910) was the first to analyze modernist philosophy in strict connection with social changes in mass society. Revealing how Michelstaedter was able to unveil the relations between pivotal early-modernist philosophies and social restructurings, The Wreckage of Philosophy examines the ongoing processes of "specialization," "rationalization," and "atomization." It points out how Michelstaedter connected the main theoretical expressions of modernism with the decisive social transformations of the early twentieth century, taking into consideration the key players of modernist philosophy, such as Friedrich Nietzsche, Henri Bergson, Ernst Mach, and William James. By following Michelstaedter's analysis and strategies, The Wreckage of Philosophy focuses on several intertwined issues: the distinct philosophical positions within the modernist area; the connections between philosophy and modernist literature; the relations between intellectual positions and social upheavals; and the early-twentieth-century links among traditional philosophy, critique of language, and epistemology of technique.
This miscellaneous volume aims at offering a fresh and updated view of adaptation and transmedial practices. In the wake of Linda Hutcheon’s groundbreaking study, A Theory of Adaptation (2006), it discusses theories and exemplary case studies from different critical perspectives and points of view assessing past and present trends, and envisioning future prospects. The volume is divided in three macro-sections: Theories explores some methodological and theoretical facets of adaptation; Practices I includes analyses of literary, cinematographic and theatrical texts; Practices II discusses transmedial examples relating to arts. The book ends with the interview with the Czech-German artist Michael Bielický, a pioneer in the use of multiple media (especially digital ones).
What is the connection between philosophical enquiries and storytelling in contemporary narrative? Is it possible to outline some features of a so-called philosophical fiction in Western literature throughout the last two centuries? This book aims to provide a plural answer, hosting extensive essays by seven young researchers coming from different fields (Theory of literature, German, American, Russian and Italian contemporary literature, history and evolution of the essayistic form). A short The volume is addressed to all those with a strong interest in both evolution of philosophical speech and history of the novel and has a strong vocation to promote interdisciplinarity in literary studies.
Dante's New Life of the Book examines Dante's Vita nuova through its transformations in manuscripts, printed books, translations, and adaptations. Eisner investigates how these different material manifestations participate in the work, drawing attention to its distinctive elements.
This book explores Darwinism in modern Italian literature. In the years between Italy’s unification (1861) and the rise of fascism, many writers gave voice to anxieties connected with the ideas of evolution and progress. This study shows how Italian authors borrowed and reworked a scientific vocabulary to write about the contradictions and the contrasting tensions of Italy’s cultural and political-economic modernization. It focuses, above all, on novels by Italo Svevo, Federico De Roberto and Luigi Pirandello. The analysis centers on such topics as the struggle against adverse social conditions in capitalistic society, the risk of failing to survive the struggle itself, the adaptive issues of individuals uprooted from their family and work environments, the concerns about the heredity of maladapted characters. Accordingly, the book also argues that the hybridization and variation of both narrative forms and collective mindsets describes the modernist awareness of the cultural complexity experienced in Italy and Europe at this time.
Temporalities of Modernism gathers fourteen scholars whose contributions readdress the very tenets of modernism by approaching its multifaceted relationship with time in a series of fresh and original essays. The contemporary energies behind the collection are rooted in the turbulence of the modernist age: relativity, irreversibility, duration, fragmentation, contingency, and the looming threat of the apocalyptic future. The collection includes geographical areas often neglected by the habitual reduction of modernist studies to English-speaking literary high modernism, or to the concentration of famous figures in the traditional capital of modernism—Paris. Thus it offers detailed presentat...
Based on meticulous research in the archives of some of the most prominent Italian avant-garde writers, Poetry on Stage examines the literary and ideological climate of the sixties and seventies.
Although fifty years passed since the boom of the theories on Japanese national character and considerable academic literature was produced to debunk its ideological tenets, the Nihonjinron still plays a significant role in the mainstream public discourse on Japanese identity. Intellectuals, journalists, policymakers routinely repropose the ever-lasting cliché of Japanese cultural, linguistic, racial uniqueness. In doing so, they adopt a primordialist stance in the narration of Japanese identity, that is a conception of Japanese nation as a primordial entity, located in an original fatherland since immemorial times. Drawing on the writings of Suzuki Takao and Watanabe Shoichi, the book analyses the rhetorical strategies and discursive features supporting essentialist ideas of Japaneseness. At the same time, it highlights the heuristic value of primordialism as an effective descriptor of the nationalist ideology, thus challenging its widespread usage as a category of analysis.
This book explores Kafka's sometimes surprising connections with key Italian writers, from Italo Calvino to Elena Ferrante, who shaped Italy's modern literary landscape.