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The Routledge Handbook of Nostalgia
The Routledge Handbook of Nostalgia serves as a guide to the complex and often contradictory concept of nostalgia, as well as the field of “nostalgia studies” more broadly. Nostalgia is an area of intense interest across several disciplines as well as within society and culture more generally. This handbook brings together an international, interdisciplinary team of researchers to survey the current landscape and identify common trends, achievements, and gaps in existing literature. Comprising 45 chapters, the volume covers the following topics: Disciplinary perspectives of nostalgias including philosophy, history, literature, and psychology. Conceptual aspects of nostalgia including hom...
A Slow Burning Fire
Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management. In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's conceptual and performance art--known as Yugoslavia's New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramovi&ć, Sanja Ivekovi&ć, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ili&ć offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavia's experience with socialist self-management and the political upheavals of the 1980s.
Precarity in European Film
This volume brings together renowned scholars and early career-researchers in mapping the ways in which European cinema —whether arthouse or mainstream, fictional or documentary, working with traditional or new media— engages with phenomena of precarity, poverty, and social exclusion. It compares how the filmic traditions of different countries reflect the socioeconomic conditions associated with precarity, and illuminates similarities in the iconography of precarious lives across cultures. While some of the contributions deal with the representations of marginalized minorities, others focus on work-related precarity or the depictions of downward mobility. Among other topics, the volume looks at how films grapple with gender inequality, intersectional struggle, discriminatory housing policies, and the specific problems of precarious youth. With its comparative approach to filmic representations of European precarity, this volume makes a major contribution to scholarship on precarity and the representation of social class in contemporary visual culture.
Post-Yugoslav Metamuseums
This book analyzes how Second World War heritage is being reframed in the memorial museums of the post-socialist, post-conflict states of Croatia, Bosnia and Herzegovina, and Serbia. It argues that in all three countries, a reluctance to confront undesirable parts of their national histories is the root cause explaining why the state-funded Second World War memorial museums remain stuck in the postsocialist transition. In most cases, Second World War museums, exhibitions, and displays conceived in the Yugoslav period have been left unchanged. However, there are also examples where new sections were added to the old ones and there are a small number of completely reconceptualized permanent exhibitions. The transitional position of the Second World War museums has made it possible to view these institutions as historical formations in their own right. The book will appeal to students and academics working in the fields of heritage and museums studies, memory studies, and cultural history of Southeast-Europe.
Patriotic History and the (Re)Nationalization of Memory
This book charts and traces state-mandated or state-encouraged “patriotic” histories that have recently emerged in many places around the globe. Such “patriotic” histories can revolve around both affirmative interpretations of the past and celebration of national achievements. They can also entail explicitly denialist stances against acknowledging responsibility for past atrocities, even to the extent of celebrating perpetrators. Whereas in some cases “patriotic” history takes the shape of a coherent doctrine, in others they remain limited to loosely connected narratives. By combining nationalist and narcissist narratives, and by disregarding or distorting historical evidence, ...
Work, Society, and the Ethical Self
Primarily on the basis of ethnographic case-studies from around the world, this volume links investigations of work to questions of personal and professional identity and social relations. In the era of digitalized neoliberalism, particular attention is paid to notions of freedom, both collective (in social relations) and individual (in subjective experiences). These cannot be investigated separately. Rather than juxtapose economy with ethics (or the profitable with the good), the authors uncover complex entanglements between the drudgery experienced by most people in the course of making a living and ideals of emancipated personhood.
Affect’s Social Lives
Zakaj so pogovori o Jugoslaviji še 30 let po njenem nasilnem razpadu še vedno čustveno nabiti in zaznamovani s strastjo, bolečino, sentimentalnimi spomini ali nostalgijo? Zakaj so afektivnost, čutnost in utelešenost pomembni za razumevanje jugoslovanskega projekta in njegovih sodobnih življenj? Ta vprašanja naslavlja zbornik Social Lives of Affect: Post-Yugoslav Reflections in tako raziskuje, kako lahko poskusi, da bi konceptualno zagrabili naše družbene realnosti v njihovih neurejenih, fluidnih in nedoločljivih značilnostih, prispevajo k poglobljenemu razumevanju kompleksnih družbenopolitičnih procesov v regiji. Knjiga prav tako pokaže, kako uporaba koncepta afekta za razumevanje družbenih realnosti v njihovi nenehni transformaciji pogosto ne postavlja pod vprašaj le pričakovanih politik pripadnosti, identifikacije in solidarnosti, temveč tudi načine, kako kot znanstveniki afektivni in utelešeni izkušnji pripisujemo družbenopolitični pomen. Zbornik tako odstira pogled na družbene dinamike na območju nekdanje Jugoslavije, ki seže prek prevladujočega interpretativnega okvira, v katerem je poudarek na etničnih (in vse bolj rasnih) razlikah.
Ruler Personality Cults from Empires to Nation-States and Beyond
Encompassing five continents and twenty centuries, this book puts ruler personality cults on the crossroads of disciplines rarely, if ever, juxtaposed before: among its authors are historians, linguists, media scholars, political scientists and communication sociologists from Europe, the United States and New Zealand. However, this breadth and versatility are not goals in themselves. Rather, they are the means to work out an integrated approach to personality cults, capable of overcoming both the dominance of much-discussed 20th century poster examples (Bolshevism-Nazism-Fascism) and the lack of interest in the related practices of leader adoration in religious and cultural contexts. Instead of reiterating the understandable but unfruitful fixation on rulers as the cults’ focal points, the authors focus on communicative patterns and interactional chains linking rulers with their subjects: in this light, the adoration of political figures is seen as a collective enterprise impossible without active, if often tacit, collaboration between rulers and their constituencies.
Mirjana
The photos and writings of Mirjana Nikolovski. This book is about her life. Her life as a student at Michigan State University with best friend Angela- Her life as a partyer at her good friend Patricks party- Her times as an observer at The Mitten Movie Project Film Company.
