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Nachoem M. Wijnberg
A new translation of work by one of the Netherland's most innovative, exhilarating poets, a poet who draws on everything from economics to parables to world history. The Dutch poet Nachoem M. Wijnberg is one of the most inventive, surprising, entertaining, and thought-provoking poets writing today. He is also remarkably productive, so that up to now only a small portion of his extensive body of work has appeared in English translation. This new selection of poems draws on all twenty volumes Wijnberg has published to date, constituting an indispensable introduction to this wry, off-kilter, spellbinding modern master. Wijnberg, not only a poet but a professor of business studies—hence his pe...
Divan of Ghalib
Dutch poet Nachoem Wijnberg disguises himself as his great Indian predecessor Ghalib, fashioning a rich and ripe volume.
The Jews
The Jews is an anti-historical thriller in the form of a Talmudic tragicomedy, taking place sometime during the Second World War. Stalin and his Minister of Security Beria are worried about the political developments in Germany, where Martin Heidegger has replaced Adolf Hitler as Chancellor of the Third Reich. Suspecting that the Frankfurt School, headed by Vice-Chancellor Walter Benjamin, has masterminded this takeover, he dispatches two Jewish actors, Salomon Maimon and Natalia Goncharova, to investigate the situation in the hope of uncovering the extent of the Jewish conspiracy. Upon arrival in Berlin, Maimon and Goncharova are received by Benjamin, who introduces them to Heidegger. The l...
National Identity
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National Identity
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The Artist as Inventor
Today the media arts not only address the great themes of our times, they inhabit the very media of which they speak. The contemporary is global, but only because of the media that enable globalisation. Those media are almost nowhere apparent in the mainstream practice of art that we see in biennials from Venice to Sao Paolo. The media arts reflect back to us our present condition, and in the archive present us with the ghosts of what we were, and what we failed to become. This book brings the reader into the centre of these strange encounters, introducing us to the rich legacies and futures of the most important arts of the last hundred years. It also looks ahead to the future and asks what happens to the condition of being human within the new constellation into which we are entering?
Exhausted on the Cross
A much-anticipated follow-up to Nothing More to Lose, this is only the second poetry collection translated into English from a vital voice of Arabic literature. “We drag histories behind us,” the Palestinian poet Najwan Darwish writes in Exhausted on the Cross, “here / where there’s neither land / nor sky.” In pared-down lines, brilliantly translated from the Arabic by Kareem James Abu-Zeid, Darwish records what Raúl Zurita describes as “something immemorial, almost unspeakable”—a poetry driven by a “moral imperative” to be a “colossal record of violence and, at the same time, the no less colossal record of compassion.” Darwish’s poems cross histories, cultures, and geographies, taking us from the grime of modern-day Shatila and the opulence of medieval Baghdad to the gardens of Samarkand and the open-air prison of present-day Gaza. We join the Persian poet Hafez in the conquered city of Shiraz and converse with the Prophet Mohammad in Medina. Poem after poem evokes the humor in the face of despair, the hope in the face of nightmare.
The Miracle of Saint Mina – Gis Miinan Nokkor
The Miracle of Saint Mina is one of the core texts in the small corpus of texts written in Old Nubian, a Nilo-Saharan language spoken between the third and fourth cataract of the Nile river until about the fifteenth century, and written in an adaptation of the Coptic script. It is one of the oldest written indigenous African languages. The Miracle of Saint Mina, most probably written around 1000 A.D., is a classical miracle story featuring one of the most well-known Egyptian saints. This publication features a translation of the text into one of the remaining modern Nubian languages, Dongolawi-Andaandi, by El-Shafie El-Guzuuli, thus establishing for the first time a link between the Old Nubian literary heritage and the contemporary colloquial language. The Old Nubian is also accompanied by a revised translation to English and a grammatical analysis.
Poetry from the Netherlands
Dutch Poetry translated into English Edited by David Colmer. The issue features Martinus Nijhoff, Gerrit Achterberg, M. Vasalis, Hanny Michaelis, Gerrit Kouwenaar, Lucebert, Hans Lodeizen, Jan Arends, Remco Campert, Hans Faverey, Cees Nooteboom, Bernlef, Toon Tellegen, Neeltje Maria Min, Anna Enquist, Frank Koenegracht, Hester Knibbe, Joke Van Leeuwen, Benno Barnard, Elma Van Haren, Esther Jansma, Nachoem M. Wijnberg, Menno Wigman, Erik Lindner, Mark Boog, Hagar Peeters, Maria Barnas, Alfred Schaffer, Mustafa Stitou, Ramsey Nasr, Kira Wuck, Ester Naomi Perquin, Marieke Lucas Rijneveld, Donald Gardner and Jane Draycott. Translators for the issue include James Brockway, David Colmer, Donald Gardner, Vivien D. Glass, Michele Hutchison, Francis R. Jones, David McKay, Scott Rollins and Judith Wilkinson.
