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Memory, Humanity, and Meaning
On the 23rd of August 2008, Professor Andrei Pleşu has marked his sixtieth birthday. In view of his distinguished service to the public welfare and his manifold contributions to academic life, the editors of this volume have invited a number of Romanian and international scholars to celebrate this event with a Festschrift. Colleagues, friends, and former students of Andrei Pleşu joined together to offer a critical appreciation of his understanding of culture in today’s world. The participants in this volume explore the continuing debates around the place of philosophy, politics, aesthetics, ethics, and religion in shaping the identity of Western civilization. CONTENTS Acknowledgements Bi...
Being the Church
If the divine liturgy really is as beautiful as we claim, wouldn't more people attend? Wouldn't the church grow? Driven by our desire for growth, we count, we analyze, we make charts, and we strategize, but often with few discernible results. That is probably the result of focusing on secondary aspects of church life. As we know, the very existence of a church is a gift of God's presence and not the result of any particular actions taken by human beings. For that reason, church is primarily about being something rather than doing or achieving something. So the growth of the church is not reflected in ever-increasing numbers, dollars, and activities, but rather in steadily growing conformity to the divine ideal. So in order to evaluate ecclesial growth, we will first have to ask what the church is supposed to be. One answer to that question is captured in the four marks of the church given in the creed: Oneness, Holiness, Catholicity, and Apostolicity. These four characteristics serve as a matrix or framework within which we can focus on the primary aspects of ecclesial being and help it grow and become what it was intended to be.
The Philokalia
The Philokalia (literally "love of the beautiful or good") is, after the Bible, the most influential source of spiritual tradition within the Orthodox Church. First published in Greek in 1782 by St. Nicodemos of the Holy Mountain and St. Macarios of Corinth, the Philokalia includes works by thirty-six influential Orthodox authors from the fourth to fifteenth-centuries such as Maximus the Confessor, Peter of Damascus, Symeon the New Theologian, and Gregory Palamas. Surprisingly, this important collection of theological and spiritual writings has received little scholarly attention. With the growing interest in Orthodox theology, the need for a substantive resource for philokalic studies has become increasingly evident. The purpose of the present volume is to remedy that lack by providing an ecumenical collection of scholarly essays on the Philokalia that will introduce readers to its background, motifs, authors, and relevance for contemporary life and thought.
Struggle for Freedom
This book examines the religious character of Nikos Kazantzakis’ literary work. The author of famous novels like Zorba the Greek, Christ Recrucified, Captain Michalis and The Last Temptation, as well as the programmatic essay Asceticism: The Saviours of God and the monumental Odyssey, wrestled with the numinous nearly lifelong. Though raised in and saturated with the liturgical and spiritual tradition of the Orthodox Church, he soon dissociated himself from the ecclesiastical establishment of his youth and searched for a new form of religion. A passionate ‘hunter’, he sought out the absolute truth and definitive redemption. In his quest for ‘God’, his steady and farthest goal was the incessant search for freedom – even freedom to such an extent as freedom from the liberator! Yet the Greek Orthodox inheritance has influenced his work to a quite considerable extent. He held on to various Christian elements which appealed to him, although he filled them in with altered contents. This especially concerns the emphasis on asceticism, the Cretan religious popular culture, the language of Scripture, various liturgical rituals as well as Byzantine hymnody and iconography.
Art, Religion and Resistance in (Post-)Communist Romania
This book illuminates the interconnections between politics and religion through the lens of artistic production, exploring how art inspired by religion functioned as a form of resistance, directed against both Romanian national communism (1960-1989) and, latterly, consumerist society and its global market. It investigates the critical, tactical and subversive employments of religious motifs and themes in contemporary art pieces that confront the religious ‘affair’ in post-communist Romania. In doing so, it addresses a key gap in previous scholarship, which has paid little attention to the relationship between religious art and political resistance in communist Central and South-East Europe.
The Orthodox Church and National Identity in Post-Communist Romania
This book explores the Romanian Orthodox Church’s arguments on national identity to legitimize its own place in a post-communist Romania. The work traces the clergy’s deployment of the concepts of Christian Orthodoxy and Latin legacy as part of an uncharted constellation of arguments in contemporary intellectual history. A survey of public intellectuals’ opinions on national identity complements the Church’s views. The investigation attempts to offer an insight into the Church’s efforts to re-assert itself, given free rein in a post-dictatorial world of accelerated modernization. After clarifying and surveying the Church’s claims on institutional and national identity, the book then also explores the secular ideas on the subject. The subsequent analysis treats this material as “speech acts” (statements doing, not only saying, something) which are occasionally out of sync. Against a background of secularization, the Church’s rhetoric articulates a distinct line of thought in the post-89 intellectual landscape.
Intellectuals and Fascism in Interwar Romania
In 1930s Bucharest, some of the country’s most brilliant young intellectuals converged to form the Criterion Association. Bound by friendship and the dream of a new, modern Romania, their members included historian Mircea Eliade, critic Petru Comarnescu, Jewish playwright Mihail Sebastian and a host of other philosophers and artists. Together, they built a vibrant cultural scene that flourished for a few short years, before fascism and scandal splintered their ranks. Cristina A. Bejan asks how the far-right Iron Guard came to eclipse the appeal of liberalism for so many of Romania’s intellectual elite, drawing on diaries, memoirs and other writings to examine the collision of culture and extremism in the interwar years. The first English-language study of Criterion and the most thorough to date in any language, this book grapples with the complexities of Romanian intellectual life in the moments before collapse.
Luc Peire
None
2012
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 659,000 articles from more than 30,500 festschrifts, published between 1977 and 2011, have been catalogued.
The Philosopher's Index
Vols. for 1969- include a section of abstracts.
