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Centre for Contemporary Canadian Art (New York, N.Y.)
File may include press releases, invitations and newspaper clippings.
Betty Goodwin
None
Isuma
Since winning the Camera d'Or Award at the Cannes Film Festival in 2001, Igloolik Isuma Productions has been among the most well-known and influential indigenous film companies in the world. Isuma's premier movie, Atanarjuat (The Fast Runner) - the first-ever feature film produced by the Inuit and presented entirely in the Inuktitut language - has received numerous awards and critical acclaim. In Isuma: Inuit Video Art Michael Evans explores multiple aspects of the production company's filmmaking, including its cultural and political stances, its embrace of folklore and respect for ancestors, and its role in the Arctic community of Igloolik. In-depth interviews with the people of Isuma and a thoughtful analysis of their films reveal how the producers combine their vision of Inuit wisdom and honour with the demands of modern filmmaking to create compelling and visually stunning films that share Inuit culture with an international audience.Isuma: Inuit Video Art is a pragmatic, comprehensive and accessible study, bringing Isuma's Arctic to life while positioning its efforts within a larger frame of indigenous media and cultural expression.
Douglas Gordon
Published in conjunction with the exhibition Douglas Gordon: Timeline, held at the Museum of Modern Art, New York, from June 11-September 4, 2006.
Thinking About Exhibitions
An anthology of writings on exhibition practice from artists, critics, curators and art historians plus artist-curators. It addresses the contradictions posed by museum and gallery sited exhibitions, as well as investigating the challenge of staging art presentations, displays or performances, in settings outside of traditional museum or gallery locales.
Roland Poulin
None
Sympathy for the Devil
Catalogus bij een tentoonstelling over de relatie tussen rockmuziek en avantgardistische kunst sinds de zestiger jaren.
Roland Poulin
This beautifully illustrated volume is the first major survey of the sculpture of Roland Poulin. It brings together critical commentary by two leading scholars, an annotated catalogue of Poulin's complete works, and an index of Poulin's exhibitions in the United States, Europe, and Canada. Diana Nemiroff's account of Poulin's career covers his switch in material from cement to wood, past exhibitions, notable influences, and 16 sculptures and 23 companion drawings created between 1978 and 1993. She analyzes geometric tombs, altars, and hearths implied in his work and describes his unique interpretation of the boundaries between the spiritual and the material, fullness and emptiness, and life ...
