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Nikolai Gumilev's Africa
Gumilev holds a unique position in the history of Russian poetry as a result of his profound involvement with Africa. He extensively wrote both poetry and prose on the culture of the continent in general and on Ethiopia (Abyssinia, as it was called in Gumilev’s time) in particular. During his abbreviated lifetime Gumilev made four trips to Northern and Eastern Africa, the most extensive of which was a 1913 expedition to Abyssinia undertaken on assignment from the St. Petersburg Imperial Museum of Anthropology and Ethnography. During that trip Gumilev collected Ethiopian folklore and ethnographic objects, which, upon his return to St. Petersburg, he deposited at the Museum. He and his assistant Nikolai Sverchkov also made more than 200 photographs that offer a unique picture of the African country in the early part of the century. This volume collects all of Gumilev’s poetry and prose written about Africa for the first time as well as a number of the photographs that he and Nikolai Sverchkov took during their trip that give a fascinating view of that part of the world in the early twentieth century. Translated by Slava I. Yastremski, Michael M. Naydan, and Maria Badanova.
Nikolay Gumilev
This work examines Gumilev's contributions to Russian poetry. It also includes a lengthy biographical chapter.
Nikolaj Gumilev and Neoclassical Modernism
Nikolaj Gumilev occupies a paradoxical place within the history of Russian modernism. Although he is well known as the founder of Acmeism and is regarded as an important poet and critic, much of his work is difficult to reconcile with prevailing concepts of modernism. The present study seeks to explain this marginal position by reinterpreting Gumilev's work within the broader context of a modernist aesthetic of order, or «neo-classical modernism.» The term refers to an aesthetic line within modernism that sought to reconcile certain features of traditional rhetoric - in particular the triadic style system - with modernist strategies of innovation. Although primarily devoted to Gumilev, the study also touches on Russian and French writers adhering to comparable aesthetic values, among them Annenskij, Kuzmin, Gautier, Leconte de Lisle, Valéry and Gide.
Russia's World Traveler Poet
The poetry of Nikolay Gumilev (1886-1921) is part of the life of every educated Russian. Children read him in school for his appealing adventure tales-notably "The Discovery of America," where he shows Columbus guided by the same spirit that gave life to the Russian poet's own lifetime work-the "Muse of Distant Travel." To young Russians Gumilev plays a role like that of Antoine de Saint-�Exup�ry for the youth of France. Yet, characteristically, the "Discovery" is filled with meaning for every mental traveler. One of the central poets of the 20th century, a celebrator of love and risk, heroism and passion, a psychological explorer of deep acuity and a wanderer whose work could almost ser...
Swan Songs
Class Act is a fictional suspense thriller, written in the Hitchcock tradition of slowly building the viewer's apprehension, while engaging his innate fear. The heroine, Dr. Angie Nolan, a psychology professor, is stalked by a killer whose identity is eventually revealed through a series of demented actions. Whoever stalks her has access to her office, her classroom, and her private life. She agonizes over the question of whether the predator is a student, staff member, or friend. No aspect of her existence remains untouched, including the terror of her dreams each night. She confides in Jake Yeager, the new Director of Security, who has demons of his own. His previous career as a US Marshal...
